Audiovisual Policymaking in Estonia at Times of Convergence: An ‘Innovation System’ as a Policy Rationale

Indrek Ibrus
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引用次数: 7

Abstract

Abstract The first thing this article tries to do is discuss the Estonian audiovisual media and content production system in its entirety - i.e. to look at film, television and interactive audiovisual services as an increasingly integrated system. Secondly, it tries to understand the issues that this convergence process presents to these formerly distinct sub-fields of the audiovisual culture, as well as for the country’s cultural policy makers. Thirdly, it presents an alternative rationale for audiovisual policymaking - reconceptualising the policy in support of an ‘innovation system’. The aim of this policy would be to improve ‘innovation coordination’ - to make the system generate more innovative cultural forms and representations, which at the aggregate level would translate into increased cultural diversity. The article assesses the innovation coordination within the Estonian audiovisual media and content production system.
融合时期爱沙尼亚的视听政策制定:“创新系统”作为政策依据
本文试图做的第一件事是讨论爱沙尼亚视听媒体和内容生产系统的整体-即看电影,电视和互动视听服务作为一个日益一体化的系统。其次,它试图理解这种融合过程给视听文化的这些以前不同的子领域以及国家的文化政策制定者带来的问题。第三,它提出了视听决策的另一种基本原理——重新定义支持“创新系统”的政策。这项政策的目标将是改善“创新协调”——使该系统产生更多创新的文化形式和表现形式,这在总体上将转化为增加的文化多样性。本文评估了爱沙尼亚视听媒体和内容生产系统内的创新协调。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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