Thai Actors and Their Methods of Characterization

Thanyarat Praditthaen, Prit Supasetsiri, Porawan Patayanon
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Abstract

This article discusses findings from interviews with 26 Thai actors on their methods of characterization. It was found that Thai actors have two concepts regarding their style and beliefs towards acting: (1) good acting naturally portrays normal characters in a realistic manner, (2) a major component of acting is ‘becoming the character.’ Participants reported needing a character’s actions to be logical, and therefore need to thoroughly analyze a character so they can completely transform into the character. Methods of characterization were found to be consistent with approaches in the works of Stanislavski. This is in part due from Pantoomkomol (1995)’s import of these ideas into Thai performing arts contexts. However, it was also found that participants’ methods were still flexible, and a view of characters as unique was prevalent. In sum, actors were found to focus on the characters rather than the methods as the best means to communicate with an audience.
泰国演员和他们塑造角色的方法
本文讨论了对26位泰国演员的采访结果,探讨了他们塑造人物的方法。研究发现,泰国演员对表演的风格和信念有两个概念:(1)好的表演自然地以现实的方式描绘正常的角色;(2)表演的一个主要组成部分是“成为角色”。“参与者报告说,他们需要角色的行为合乎逻辑,因此需要彻底分析一个角色,这样他们才能完全融入这个角色。表征方法与斯坦尼斯拉夫斯基作品中的方法一致。这部分是由于Pantoomkomol(1995)将这些想法引入泰国表演艺术的背景。然而,研究也发现,参与者的方法仍然是灵活的,而且认为角色是独一无二的观点很普遍。总而言之,演员们更关注角色,而不是方法,这是与观众交流的最佳方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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