Historical Origins of Cultural Supply in Italy

K. Borowiecki
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引用次数: 25

Abstract

I investigate the consequences of long-run persistency of a society’s preferences for cultural goods. Historical cultural activity is approximated with the frequency of births of music composers during the Renaissance and is linked with contemporary measures of cultural activity in Italian provinces. Areas with a one percent higher number of composer births nowadays show an up to 0.29% higher supply of classical concerts and 0.16% more opera performances. Classical concerts and opera performances have also rather bigger audiences and obtain greater revenues in provinces that have been culturally active in the past. Today, those provinces also exhibit a somewhat lower supply of other forms of entertainment (e.g., sport events), thereby implying a tantalising divergence in societies’ cultural preferences which is attributable to events rooted in the past. It is also shown that the geography of composer births is remarkably persistent over a period of seven centuries.
意大利文化供给的历史渊源
我调查了一个社会对文化产品的偏好长期持续的后果。历史文化活动与文艺复兴时期音乐作曲家出生的频率接近,并与意大利各省的当代文化活动措施有关。如今,作曲家出生人数每增加1%,古典音乐会的供应量就会增加0.29%,歌剧演出也会增加0.16%。古典音乐会和歌剧演出在过去文化活跃的省份也有更大的观众和更多的收入。今天,这些省份的其他娱乐形式(如体育赛事)的供应也有所减少,这意味着社会文化偏好的诱人差异,这可归因于植根于过去的事件。研究还表明,作曲家出生的地理分布在七个世纪的时间里是非常持久的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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