{"title":"Reflections on the Legacy of 19th-century Istanbul Armenian Theater Projects in the Contexts of Ottomanism and Turkishness","authors":"Ayşan Sönmez","doi":"10.1163/26670038-12342766","DOIUrl":null,"url":null,"abstract":"\n Modern European theater disseminated both revolutionary discourse and a nationalist project in the aftermath of the French Revolution to every region it entered – a situation, which led to staggering impacts in multi-national, multi-religious, and decentralized territories such as the Ottoman Empire. Local individuals who engaged in European-style theatrical productions within the Ottoman Empire were initially and primarily Armenians. As a politicized form in terms of public opinion, urbanization, westernization, and education, the Ottoman Armenian theatrical experience became a legacy that was able to serve a budding Armenian nationalism, the idea of a shared Ottomanism during a specific time, and, eventually, to bolstering Turkishness as the Empire evolved into a nation-state.","PeriodicalId":388620,"journal":{"name":"Journal of the Society for Armenian Studies","volume":"27 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Society for Armenian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/26670038-12342766","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Modern European theater disseminated both revolutionary discourse and a nationalist project in the aftermath of the French Revolution to every region it entered – a situation, which led to staggering impacts in multi-national, multi-religious, and decentralized territories such as the Ottoman Empire. Local individuals who engaged in European-style theatrical productions within the Ottoman Empire were initially and primarily Armenians. As a politicized form in terms of public opinion, urbanization, westernization, and education, the Ottoman Armenian theatrical experience became a legacy that was able to serve a budding Armenian nationalism, the idea of a shared Ottomanism during a specific time, and, eventually, to bolstering Turkishness as the Empire evolved into a nation-state.