Reflections on the Legacy of 19th-century Istanbul Armenian Theater Projects in the Contexts of Ottomanism and Turkishness

Ayşan Sönmez
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Abstract

Modern European theater disseminated both revolutionary discourse and a nationalist project in the aftermath of the French Revolution to every region it entered – a situation, which led to staggering impacts in multi-national, multi-religious, and decentralized territories such as the Ottoman Empire. Local individuals who engaged in European-style theatrical productions within the Ottoman Empire were initially and primarily Armenians. As a politicized form in terms of public opinion, urbanization, westernization, and education, the Ottoman Armenian theatrical experience became a legacy that was able to serve a budding Armenian nationalism, the idea of a shared Ottomanism during a specific time, and, eventually, to bolstering Turkishness as the Empire evolved into a nation-state.
19世纪伊斯坦布尔亚美尼亚剧院项目在奥斯曼主义和土耳其背景下的遗产反思
在法国大革命之后,现代欧洲戏剧将革命话语和民族主义计划传播到它所进入的每一个地区——这种情况导致了对多民族、多宗教和分散的领土(如奥斯曼帝国)的惊人影响。在奥斯曼帝国内从事欧式戏剧制作的当地人最初主要是亚美尼亚人。作为公众舆论、城市化、西方化和教育方面的政治化形式,奥斯曼亚美尼亚戏剧经验成为一种遗产,能够为萌芽中的亚美尼亚民族主义服务,在特定时期共享奥斯曼主义的想法,并最终在帝国演变为民族国家时支持土耳其人。
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