Grigore Vieru and the Romanian Sixties Literary Generation of Poets

Daniel Cristea-Enache
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Abstract

There is an identity function of poetry, of literature, that shapes the symbolic consistency of a collective spirit, a map of emblematic landmarks of a national community. Goga and Cotruș are representative for Transylvania, Vieru and Păunescu are emblematic for Moldavians, whereas Eminescu is emblematic for the Romanians of all the historic provinces. For those living in Basarabia, Vieru represents a prophet of their Nation, an apostle of the Romanian Nation standing against the historic oppression, in the form of the Russian camps. To the elitists and relativists from Romania, Vieru is regarded as a representative of the traditionalist literary currents, frozen into an obsolete aesthetic manner and a heroic dimension out of phase. The article portrays Vieru’s relations with the Romanian 60’s generation of poets and their lyrical formulas assumed by Modernism.
格里戈尔·维鲁与罗马尼亚60年代文学一代诗人
诗歌和文学有一种身份认同功能,它塑造了集体精神的象征性一致性,是一个国家社会标志性地标的地图。Goga和cotrunu是特兰西瓦尼亚的代表,Vieru和priurunescu是摩尔多瓦人的象征,而Eminescu是所有历史省份的罗马尼亚人的象征。对于那些生活在巴萨比亚的人来说,Vieru代表了他们民族的先知,是罗马尼亚民族的使徒,站在反对俄罗斯集中营形式的历史性压迫的立场上。对于罗马尼亚的精英主义者和相对主义者来说,维耶鲁被视为传统主义文学潮流的代表,被冻结在一种过时的审美方式和一种不合时宜的英雄维度中。这篇文章描绘了Vieru与罗马尼亚60年代一代诗人的关系,以及他们被现代主义所假设的抒情公式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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