Processo e(m) narrativa: ensaio sobre a verdade e outras ficções jurídicas

André Karam Trindade
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Abstract

This essay (so far unpublished) is an (updated) version of the conference presented at the XXIX Jornadas de la Asociación Argentina de Filosofía del Derecho: Verdad, Justicia y Derecho, which took place, from October 1 to 3, 2015, in Ushuaia, known as Tierra del Fuego, in Patagonia, Argentina, which was attended by Michele Taruffo, Jordi Ferrer Beltrán, Carlos Cárcova, Alicia Ruiz, Jorge Douglas Price, Eugenio Bulygin, Rodolfo Vigo, among others. Based on the assumptions and theoretical contributions that characterize the structural intersection of Law and Literature studies, this paper is divided into four parts: after a quick presentation of the proposal (Section I), some considerations are developed regarding the relationship between Law and Literature, more specifically about procedural narratives and the issue of truth (Section II); then, in order to illustrate how literature can teach jurists, we resort to the novel Blanco nocturno, by Ricardo Piglia, which serves to problematize the theme of law fiction with all its inherent singularity (Section III) and to formulate the conclusion of the essay (Section IV).
叙事过程:关于真相和其他法律小说的文章
本文(迄今未发表)是第29届Jornadas de la Asociación Argentina de Filosofía del Derecho: Verdad, Justicia y Derecho会议的(更新)版本,该会议于2015年10月1日至3日在阿根廷巴塔哥尼亚被称为火地岛的乌斯怀亚举行,出席会议的有Michele Taruffo, Jordi Ferrer Beltrán, Carlos Cárcova, Alicia Ruiz, Jorge Douglas Price, Eugenio Bulygin, Rodolfo Vigo等人。基于法律与文学研究结构交叉的假设和理论贡献,本文分为四个部分:在快速介绍提案(第一节)之后,对法律与文学之间的关系进行了一些考虑,更具体地说是关于程序叙事和真相问题(第二节);然后,为了说明文学是如何教育法学家的,我们借助里卡多·皮格利亚的小说《夜曲布兰科》,它将法律小说的主题及其固有的独特性问题化(第三节),并形成本文的结论(第四节)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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