Inspiracje Grigorija G. Gagarina i jego rola w procesie kształtowania stylu rosyjsko - -bizantyńskiego w architekturze dziewiętnastowiecznego Imperium Rosyjskiego – zarys zagadnienia

M. Cyuńczyk
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Abstract

The paper represents an attempt to outline Grigory G. Gagarin’s artistic interests and his influence on creating one of the national style variants in the 19th -century Russian Empire: the Russian -Byzantine style. This article is not only a selection of theoretician’s quotes, but also an attempt to create an appropriate background and clear context for his theses. Moreover, the paper is to constitute a coherent outline of his thoughts having an impact on the creating of the national style and the search for architectural inspiration from selected periods of history. An interesting fact is that because of Gagarin’s first attempts to develop consistent norms and determinants of inspiration, among others, for architects and artists, he created foundations to formulate in the future a clear theoretical assumption of the Russian -Byzantine style. What is more, the theoretician did not avoid the confrontation of Russian art with Western European culture. Gagarin tried to not only indicate the relationships between the evolution of specific styles in art and architecture, but also their mutual influences and consequences. In the paper’s narration another important thread in the theoretician’s activity is also mentioned: his attitude to the cultural heritage of the North and South Caucasus. In the 19th century, the region’s territories formed the southwestern borders of the Russian Empire, and moreover they were the destinations of Gagarin’s diplomatic activities for the Romanov dynasty and the Russian Empire. The paper is an introduction to further research not only into Gagarin’s position in the process of creating the national style in the Russian Empire in the19th century. Furthermore, the research will bring up his functioning in the Western European artistic-cultural society of that time and his attempts to find mutual inspiration in Western and Eastern Europe.
这篇论文试图概述格里戈里·g·加加林的艺术兴趣,以及他对19世纪俄罗斯帝国民族风格变体之一——俄罗斯-拜占庭风格的影响。本文不仅是对理论家语录的精选,而且试图为他的论文营造一个合适的背景和清晰的语境。此外,本文还将构建一个连贯的大纲,概述他对民族风格创造的影响以及从选定的历史时期寻找建筑灵感的思想。一个有趣的事实是,由于加加林首次尝试为建筑师和艺术家制定一致的规范和灵感决定因素,他为未来制定俄罗斯-拜占庭风格的明确理论假设奠定了基础。更重要的是,这位理论家并没有回避俄罗斯艺术与西欧文化的对抗。加加林不仅试图表明艺术和建筑中特定风格的演变之间的关系,而且还试图表明它们之间的相互影响和后果。在本文的叙述中,还提到了理论家活动中的另一个重要线索:他对北高加索和南高加索文化遗产的态度。在19世纪,该地区的领土形成了俄罗斯帝国的西南边界,而且它们是加加林为罗曼诺夫王朝和俄罗斯帝国进行外交活动的目的地。本文不仅是对加加林在19世纪俄罗斯帝国民族风格创造过程中的地位的进一步研究的引子。进而探讨他在当时的西欧艺术文化社会中的运作,以及他在西欧和东欧寻找共同灵感的尝试。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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