Creative Tourism in The Era of New Normality in The Advancement of Culture

M. Muhamad, Dina Ruslanjari, Azmy Hanif
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引用次数: 2

Abstract

Within the development of tourism in the era of new normality, especially for cultural tourism activities which do not only place tourists merely as spectators or connoisseurs, creative tourism is the main destination for alternative tourism, which is expected to maximize the potential for creative tourism for cultural advancement. The main objective of this study is to determine the position based on creative tourism to actualize the cultural advancement in the Yogyakarta Special Region and the Borobudur Temple Area. This study uses a qualitative research method with a case study approach with locations in the Yogyakarta Special Region and the Borobudur Temple area, Magelang Regency. Data collection techniques are carried out by observation and literature study, with a qualitative data analysis model based on theories of tourism development. The results of the research study show that the current stage of the development of creative tourism in the era of new normality in the Province of Yogyakarta Special Region and the Borobudur Temple Area, Magelang Regency is in between the consolidation of involvement between the industrial world and the stakeholders and the development of innovative products for cultural advancement.
文化进步新常态下的创意旅游
在新常态时代的旅游发展中,特别是文化旅游活动,游客不仅仅是作为观众或鉴赏者,创意旅游是替代旅游的主要目的地,这有望最大限度地发挥创意旅游对文化进步的潜力。本研究的主要目的是确定创意旅游在日惹特区和婆罗浮屠寺地区实现文化进步的地位。本研究采用定性研究方法与案例研究方法,在日惹特区和婆罗浮屠寺地区,马格朗摄政的位置。数据收集技术采用观察法和文献研究法,采用基于旅游发展理论的定性数据分析模型。研究结果表明,在新常态时代,日惹特区和婆罗浮都寺庙地区的创意旅游发展的当前阶段,马格朗摄政正处于巩固工业世界和利益相关者之间的参与和开发创新产品以促进文化进步之间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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