Walking with Sky Woman

G. Mitchell
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Abstract

This essay seeks to explore various visual representations of Sky Woman across cultures and time, and what they may reveal about ways of being in the world. As stories, and creation stories in particular, inform who and how we are, they hold tremendous import on various social phenomena. Through the comparison of stories of Sky Woman with the Christian Book of Genesis, this essay will examine both the overt and covert teachings inlayed within these creation stories, and the legacies such teachings leave behind. While the Book of Genesis lays out a world of hierarchies, competition, alienation from nature, and the deprivileging of women, stories of Sky Woman hold teachings of responsibility, respect, balance, and the empowerment of women. Through such stark comparison, it becomes clear how creation stories inform ways of being in the world, as well as the implications such perspectives have. For example, through stories of Sky Woman, Indigenous womanhood is held as sacred and empowered. Teachings of cooperation and balance intrinsic to Sky Woman’s story emphasize cooperation between and balance amongst genders within Indigenous communities. Further, Sky Woman is often depicted as the original Mother and therefore positions motherhood as a source of strength, creation, and life-giving. As such, Indigenous motherhood resists patriarchal forms of mothering that rest on understandings of sacrifice and submission.[1] Further, in understanding the land as Sky Woman herself, land necessarily becomes feminine, alive, and capable of storytelling. As such, land becomes relation, an integral source of self, and an important site of healing, all of which necessitate its caretaking. Contemporarily, Sky Woman’s teachings are used as a tool of resurgence, female empowerment, and decolonization, with an emphasis on the future of Indigenous peoples. As is revealed in the paintings this essay explores, Sky Woman embodies the past, present, and future to inform a way of being in the world that is guided by cooperation, respect, balance, and importantly, the feminine.   [1] Lina Sunseri, “Sky Woman Lives on: Contemporary Examples of Mothering the Nation,” Canadian Woman Studies 26, no. 3 (2008): 21-25.
与天空女同行
这篇文章试图探索不同文化和时间的天空女人的各种视觉表现,以及它们可能揭示的在世界上存在的方式。作为故事,尤其是创造故事,它们告诉我们是谁,我们是怎样的,它们对各种社会现象有着巨大的重要性。通过对《天空女人》故事与基督教《创世纪》的比较,本文将考察这些创世故事中隐含的显性和隐性教义,以及这些教义留下的遗产。《创世纪》描绘了一个等级森严、竞争激烈、远离自然、剥夺女性特权的世界,而《天空女》的故事则教导了责任、尊重、平衡和赋予女性权力。通过这种鲜明的对比,我们可以清楚地看到创世故事是如何告诉我们在这个世界上的存在方式的,以及这些观点的含义。例如,通过天空女人的故事,土著女性被视为神圣和强大的。《天空女人》故事中所蕴含的合作与平衡理念强调了土著社区中两性之间的合作与平衡。此外,天空女人经常被描绘成最初的母亲,因此将母性定位为力量、创造和生命的源泉。因此,土著母亲抵制基于牺牲和服从的理解的父权形式的母性。[1]此外,在将土地理解为天空女人本身时,土地必然变得女性化,充满活力,能够讲故事。因此,土地成为一种关系,是一个完整的自我来源,也是一个重要的治疗场所,所有这些都需要对其进行照顾。当代,天空女人的教导被用作复兴、女性赋权和非殖民化的工具,重点是土著人民的未来。正如本文探索的画作所揭示的那样,天空女人体现了过去、现在和未来,以一种以合作、尊重、平衡和重要的女性为指导的方式存在于世界上。[1]林娜·森塞里:《天空女人的生存:当代母性国家的例子》,《加拿大妇女研究》,第26期,第2期。3(2008): 21-25。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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