Women, Muscular Nationalism and Hinduism in India: Roop Kanwar and the Fire Protests

Sikata Banerjee
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引用次数: 2

Abstract

Abstract This article unpacks the manner in which women/womanhood circulates within an uniquely Hindu interpretation of a particular gendered vision of nation that I term ‘muscular nationalism’. Muscular nationalism centres the values of martial prowess, physical strength, moral fortitude and the readiness to go to battle against groups defined as enemies of the nation. Further, these values are most frequently expressed by a male body. The relationship between women/womanhood and muscular nationalism is dynamic. This nation as woman can take multiple forms; it can be imagined as powerful mother or vulnerable virgin or warrior goddess. Whether mother or virgin or goddess, chastity and purity are important components of this imagination and nation as woman impacts real women’s lives through ideas of honour. In muscular nationalism this focus on the purity and chastity of female bodies stems from their role as border guards. By border guards I mean the notion that the boundaries separating ‘we the people’ from ‘them’ are represented by chaste women’s bodies. Put another way, this line of thinking argues that our women are chaste and pure, yours are not. This is the difference that separates our nation from yours. Women’s role as border guards requires that their purity be vigilantly guarded. The story of women/womanhood in Hindutva or Hindu muscular nationalism which unfolds in this essay is rooted in the assumptions described above. By drawing on interviews with women in the Hindu nationalist Rashtriya Sevika Samiti – with reference to women’s involvement in the Bharatiya Janata Party, Vishwa Hindu Parishad and the Shiv Sena – this paper contextualizes the role of women in Hindutva. Then it goes on to unpack the 1987 immolation of Roop Kanwar as well as cultural protests against Deepa Mehta’s film Fire to illustrate the contested location of female bodies in this ideology. This analysis indicates that many women are certainly politically active in Hindu muscular nationalism; however, the vision of femininity driving the discourse around Roop Kanwar and the resistance against Fire reveals the limitations of an activism embedded in a context of a rigid expectation of female chastity and virtue.
印度的妇女、强大的民族主义和印度教:鲁普·坎瓦尔和火灾抗议
本文揭示了女性/女性身份在印度对特定性别的国家愿景的独特解释中循环的方式,我称之为“肌肉民族主义”。肌肉民族主义的核心价值观是武功、体力、道德刚毅以及随时准备与被定义为国家敌人的群体作战。此外,这些价值观最常通过男性的身体来表达。女性/女性气质与强势民族主义之间的关系是动态的。这个国家作为女性可以有多种形式;它可以被想象成强大的母亲或脆弱的处女或战士女神。无论是母亲、处女还是女神,贞洁和纯洁都是这个想象和国家的重要组成部分,因为女性通过荣誉观念影响着现实女性的生活。在肌肉民族主义中,这种对女性身体纯洁和贞洁的关注源于她们作为边境警卫的角色。我说的边防是指“我们人民”和“他们”之间的界限是由贞洁的女性身体所代表的。换句话说,这种思路认为我们的女人是纯洁的,而你们的不是。这就是我们国家和你们国家的区别。妇女作为边境守卫的角色要求她们警惕地保护自己的纯洁。在这篇文章中展开的印度教至上主义或印度教肌肉民族主义中的女性/女性的故事根植于上述假设。本文通过对印度教民族主义组织Rashtriya Sevika Samiti中的女性的采访,探讨了女性在印度人民党(Bharatiya Janata Party)、Vishwa Hindu Parishad和Shiv Sena中的参与情况,从而将女性在印度教中的角色置于背景中。然后,它继续剖析1987年鲁普·坎瓦尔(Roop Kanwar)的自焚,以及对迪帕·梅塔(Deepa Mehta)的电影《火》(Fire)的文化抗议,以说明女性身体在这种意识形态中的争议地位。这一分析表明,许多女性在印度强势民族主义中确实在政治上很活跃;然而,围绕鲁普·坎瓦尔的话语和对火的抵抗的女性特质的愿景揭示了在对女性贞洁和美德的严格期望的背景下嵌入的行动主义的局限性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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