Color: The Spirit of Painting

Krishna Prakash Shah
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引用次数: 1

Abstract

Color exists in the presence of light. Light not only brings forth the existence of color but also helps to perceive its reality. Color is a powerful medium to express our feelings, and that also evokes emotional responses which attract and keep the attention of a beholder. Color combination in painting is concerned with aesthetic aspects. The color beauty sustains the undivided attention to the beholder. Color amplifies the degree of emotion that touches and influences the human body, mind and soul directly which leads towards contemplation. The contemplation opens up the way to the journey of eternity. All this is possible through the combination of harmonious and contrastive colors that awakens a corresponding sensation, which directly works upon the soul. Therefore, color is the spirit of painting that makes the work of painting lively by putting breath into it. This article, thus, attempts to trace how color becomes the spirit of painting. Color as the spirit of painting will be the center of research focusing on the influence of color upon human beings. The main objective of this article is to study the role of color in painting. The study explains the impact and aesthetic value of color in painting. It is relevant to explore the strength of color application in painting. The qualitative model of research is adopted to analyze and interpret the artworks.
色彩:绘画的精神
颜色存在于光的存在下。光不仅带来了颜色的存在,而且帮助感知它的真实性。颜色是表达我们情感的有力媒介,它也能唤起情感反应,吸引并保持观察者的注意力。绘画中的色彩组合涉及到审美方面。色彩之美使观者全神贯注。色彩可以放大情感的程度,直接影响人的身体、思想和灵魂,从而导致沉思。沉思打开了通往永恒之旅的道路。所有这一切都是可能的,通过和谐和对比的颜色的结合,唤醒相应的感觉,直接作用于灵魂。因此,色彩是绘画的精神,它给绘画作品注入气息,使之生动起来。因此,本文试图追溯色彩如何成为绘画的精神。色彩作为绘画的精神,将成为关注色彩对人类影响的研究中心。本文的主要目的是研究色彩在绘画中的作用。阐释了色彩在绘画中的作用和审美价值。探讨绘画中色彩运用的力度是有意义的。采用定性的研究模式对作品进行分析和解读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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