Heidegger, « die Phantasie des Wesens ». Quelques notes de repère

Elisa Bellato
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Abstract

The present paper engages with Heidegger’s attempt to rethink, during the 1930s, the metaphysical history of being from the inside. It treats the movement of the appearance of Being (Seyn) in the concealment of the essence of truth, and moving from such a notion of “essence” (Wesen), it shows that the role of Phantasie falls within the seynsgeschichtliches Denken. The Heideggerian “Phantasie des Wesens” is thus studied through Holderlin’s poetry, which is central to the elaboration of the “thought of the history of being” in the thirties. It seems therefore, following Heidegger’s interpretation, that is from its own language (Sprache) that the metaphysical history of being can be rethought or “reinvented”. The paper rather explores the process of channeling Stimmung into Grund-stimmung, by which the Phantasie may be able to shape the experience of meaning.
海德格尔,«»叫人的想象力.Quelques note de repè眼
本论文涉及海德格尔在20世纪30年代试图从内部重新思考存在的形而上学历史。它把存在的表象的运动置于真理的本质的隐藏之中,并从这种本质的概念出发,表明幻影的作用是属于存在的本质的范畴的。因此,海德格尔的《幻像》是通过荷尔德林的诗歌来研究的,荷尔德林的诗歌是三十年代“存在史思想”的核心。因此,按照海德格尔的解释,从它自己的语言(Sprache)看来,存在的形而上学历史可以被重新思考或“重新发明”。这篇论文探讨了将刺激转化为地面刺激的过程,通过这个过程,幻觉可能能够塑造意义的体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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