NARASI REVITALISASI PADA PERSPEKTIF PENDIRI JEMBER FASHION CARNAVAL

Gati Dwi Yuliana
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Abstract

Narrative is the essence of human form of communication. Jember Fashion Carnival (JFC) chose a fashion carnival as a medium for telling stories about social struggles that became his dream. This study focuses on how JFC builds a narrative story at each of its carnival events. So that this research is expected to be able to comprehensively explain how a carnival builds a narrative through a storytelling approach as an effort to revitalize the arts in order to maintain the sustainability of a tourism program. This study uses the theory of the narrative paradigm to explain how individuals create meaning in life through dialogue in various mediums. This study uses a qualitative approach, Case study Methode with interview techniques. Research informants are representatives of JFC management. The results of the study show that the way JFC builds its main narrative is by appointing the figure of Dynand Fariz himself as the founder. This is because Dynand Fariz forms his figure as a narrator who tells a story about himself and manifests all his thoughts in all carnival events. The story about the figure of Dynand Fariz melts into a series of carnival defiles that describe the ideals, dreams, and struggles to return the carnival to its essence as an art performance.
《九月时尚嘉年华》创始人视角的复兴叙事
叙事是人类传播形式的本质。Jember Fashion Carnival (JFC)选择了一个时尚狂欢节作为讲述社会斗争故事的媒介,这成为了他的梦想。本研究关注的是JFC如何在每一场狂欢活动中构建叙事故事。因此,这项研究有望全面解释嘉年华如何通过讲故事的方式建立叙事,作为一种努力振兴艺术,以保持旅游项目的可持续性。本研究使用叙事范式理论来解释个体如何通过各种媒介的对话来创造生活中的意义。本研究采用定性方法,案例研究法和访谈技术。研究报告人是JFC管理层的代表。研究结果表明,JFC构建其主要叙事的方式是任命Dynand Fariz本人作为创始人。这是因为Dynand Fariz将自己塑造成一个叙述者的形象,他讲述了一个关于自己的故事,并在所有的狂欢活动中表达了他的所有想法。这个关于Dynand Fariz这个人物的故事融进了一系列描绘理想、梦想的狂欢污秽中,并努力使狂欢回归其作为一种艺术表演的本质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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