A Comparative Study of Space and Time Transference of Main Characters in British and Armenian Fairy Tales

Yelena Mkhitaryan, Lusine Madatyan
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Abstract

The paper presents a comparative study of space and time transference of main characters in British and Armenian fairy tales, with pointing out convergent and divergent features of expressing these notions in a folkloristic text. The analysis shows that similarities prevail over differences.  In both British and Armenian fairy tales spatial transference takes priority over the temporal one, when the main characters’ adventures or heroic deeds are presented; temporal transference is more common when evil deeds are described, especially the ones that happen at night. Besides, tragic and evil events are likely to take place more in enclosed areas than in open places.  The numbers three and seven occurring in British and Armenian fairy tales have the same symbolic meanings. The differences concern the numerical indication of time points usually observed in British fairy tales and the presentation of the narrative space, which is somewhat different in view of the diverse country landscape of England and Armenia. While the opening formulas are almost identical, the closing formulas in Armenian tales reveal some differences, ending with a reward for the listener and teller of the fairy tale as well as with blessings and behests directed to the listener.
英国与亚美尼亚童话中主要人物时空转移的比较研究
本文对英国和亚美尼亚童话中主要人物的时空转移进行了比较研究,指出了这些观念在民俗文本中表达的同一性和差异性。分析表明,相似性胜过差异。在英国和亚美尼亚的童话中,当主要人物的冒险或英雄事迹被呈现时,空间移情优先于时间移情;时间移情在描述邪恶行为时更为常见,尤其是那些发生在晚上的行为。此外,悲剧和邪恶事件更可能发生在封闭的地方而不是开放的地方。在英国和亚美尼亚童话中出现的数字3和7具有相同的象征意义。这种差异涉及到英国童话中通常观察到的时间点的数字指示和叙事空间的呈现,鉴于英格兰和亚美尼亚不同的国家景观,这在某种程度上有所不同。虽然开头的公式几乎相同,但亚美尼亚故事的结尾公式显示出一些差异,以对聆听者和童话讲述者的奖励以及对聆听者的祝福和要求结束。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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