Silent film and the socialization of American immigrants: lessons from an old new medium.

S. Kleinman, Daniel G. McDonald
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引用次数: 4

Abstract

Many people today are voicing concerns about the potentially deleterious social effects of media such as television and the Internet. The turn of the twenty-first century provides an interesting vantage point from which to look back one hundred years and examine people's concerns about the impacts of an earlier communication technology - silent film. This kind of historical exercise reminds us, first, that each major communication technology has had its proponents and its critics, and second, that the social influences of communication technologies are more profound than their developers could have anticipated. The turn from the nineteenth to the twentieth century marked the beginning of a communications revolution that was to have a major impact in defining social life in the United States during the twentieth century. That move first began to take shape in devices developed in the late nineteenth century but not finding a strong social place until the twentieth; audio recordings, radio broadcasting, and motion pictures were some of the technologies developed during the last decades of the nineteenth century that were to be characteristic of the twentieth. In addition to changes in communication technology, vast social changes were occurring as a result of urbanization and immigration. The rise of the large American city and its attendant social problems became a major concern of social workers and social commentators. Increasing immigration became a national issue during the 1890s and early 1900s. Millions of people, primarily those from European countries, poured into New York City and settled in areas that seemed most familiar and affordable to them-those made up of other recent immigrants-- forming ghettos and neighborhoods defined by country of origin. This article traces the early development of motion picture technology and examines the roles that motion pictures and the moviegoing experience played in communicating "American" values, sensibilities, and emotions to immigrant populations. The silent motion picture provided an inexpensive and accessible form of entertainment for America's new immigrants. The lack of spoken language was an advantage in that actors in the early cinema used body language and facial expression to their full impact. Unhindered by the complex plots and characters that were to appear with sound films, silent films, as well as the moviegoing experience, provided immigrants with a glimpse of this new country, including what to expect, how to behave, and what to feel. As a new medium at the turn of the twentieth century, silent film helped transform individuals, institutions, and the relationships among people and between social groups. U.S. Immigration in the Nineteenth and Twentieth Centuries United States immigration history is often divided into waves-the "Old Migration" from approximately 1820-1880, the "New Immigration" from approximately 1885-1930, and the modern era, which began around 1930. The Old Migration period was stimulated by steamship and railroad transportation and encouraged by the midwest states, where local governments were attempting to build a larger population base. The Old Migration consisted primarily of Europeans during the early stages and Chinese and Japanese later in the century. Economic difficulties in their home countries and the promise of a new start in the United States was the impetus for many to leave their homes and head for America. The immigrants of the Old Migration were primarily from rural areas; many had lost their place in their newly-industrialized homeland. Many were farmers or artisans who came to this land and found work in large coastal cities or along the rapidly developing highways of westward expansion (Handlin; Morris and Morris). Immigrants of the second wave, the New Immigration period, were also primarily of European origin, with many from eastern and southern Europe. Around the turn of the twentieth century there was a heavy influx from Russia, Poland, and Austria-- Hungary. …
默片与美国移民的社会化:来自新旧媒介的教训。
今天,许多人对电视和互联网等媒体潜在的有害社会影响表示担忧。二十一世纪之交提供了一个有趣的有利位置,让我们回顾一百年来,审视人们对一种早期通信技术——无声电影的影响的担忧。这种历史实践提醒我们,首先,每种主要的通信技术都有其支持者和批评者,其次,通信技术的社会影响比它们的开发者所能预期的要深刻得多。从19世纪到20世纪的转折标志着一场通信革命的开始,这场革命对20世纪美国社会生活的定义产生了重大影响。这一运动最初是在19世纪后期开发的设备中开始形成的,但直到20世纪才在社会上占有一席之地;录音、无线电广播和电影是19世纪最后几十年发展起来的一些技术,这些技术后来成为20世纪的特征。除了通信技术的变化之外,城市化和移民也带来了巨大的社会变化。美国大城市的崛起和随之而来的社会问题成为社会工作者和社会评论家关注的主要问题。在19世纪90年代和20世纪初,越来越多的移民成为一个全国性的问题。数以百万计的人,主要是来自欧洲国家的人,涌入纽约市,在他们看来最熟悉、最负担得起的地区——那些由其他新移民组成的地区——定居下来,形成了由原籍国定义的贫民窟和社区。本文追溯了电影技术的早期发展,并考察了电影和观影经历在向移民群体传达“美国”价值观、情感和情感方面所起的作用。无声电影为美国的新移民提供了一种既便宜又方便的娱乐形式。缺乏口语是一个优势,因为早期电影中的演员使用肢体语言和面部表情来充分发挥他们的影响力。无声电影不受有声电影中出现的复杂情节和人物的阻碍,无声电影以及观影体验为移民提供了对这个新国家的一瞥,包括期待什么,如何表现,以及感受什么。作为二十世纪之交的一种新媒介,无声电影帮助改变了个人、制度以及人与人之间和社会群体之间的关系。19世纪和20世纪的美国移民美国的移民史通常被分为几波:大约从1820年到1880年的“旧移民”,大约从1885年到1930年的“新移民”,以及大约从1930年开始的现代移民。蒸汽船和铁路运输刺激了旧移民时期,中西部各州的地方政府试图建立一个更大的人口基础,这也鼓励了旧移民时期。旧移民在早期主要由欧洲人组成,在本世纪后期由中国人和日本人组成。他们祖国的经济困难和在美国重新开始的承诺是许多人离开家乡前往美国的动力。旧移民的移民主要来自农村地区;许多人在新工业化的家园失去了自己的位置。许多人是农民或工匠,他们来到这片土地,在沿海大城市或向西扩张的快速发展的高速公路沿线找到工作(汉德林;莫里斯和莫里斯)。第二次移民浪潮,即新移民时期,也主要是欧洲裔,其中许多来自东欧和南欧。大约在二十世纪之交,有大量来自俄罗斯、波兰和奥地利匈牙利的移民涌入美国。...
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