“We All Country”: Region, Place, and Community Language among Oklahoma City Drag Performers

Bryce McCleary
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Abstract

This study aims to build on limited research in Oklahoma LGBTQ+ populations and to consider intersectional queer and trans perspectives on region and place as constructs within broader sociolinguistic work. The primary data come from linguistic ethnographic and queer folk linguistic work in a community of drag performers who detail the hardships of navigating a region like Oklahoma as nonheterosexual, noncisgender, and in some cases non-White Oklahomans. Their discussions of 39th Street, a culturally important site with a long history of LGBTQ+ protection, reveal that it, too, is riddled with racial, transphobic, and class-based ideologies that intersect with economic and practice-based difficulties for both new and seasoned performers. What emerges is an indication that queer kinship systems, familial communities within the community of practice, are integral parts of survival for performers and that language is both affected by such kinship systems and employed as a tool for navigating this place.
“我们都是国家”:俄克拉荷马城变装表演者之间的地区,地点和社区语言
本研究旨在建立在俄克拉何马州LGBTQ+人群的有限研究基础上,并考虑在更广泛的社会语言学工作中对地区和地方的交叉性酷儿和跨性别观点。主要数据来自语言人种学和同性恋民间语言学的工作,这些工作是在一个变装表演者的社区中进行的,他们详细描述了在像俄克拉何马州这样的地区,作为非异性恋者,非顺性者,在某些情况下,是非白人俄克拉何马人的艰难。他们对39街的讨论表明,这条街也是一个文化上重要的地方,有着悠久的LGBTQ+保护历史,也充斥着种族、跨性别和基于阶级的意识形态,对新手和资深表演者来说,这些意识形态与经济和实践上的困难交织在一起。这表明酷儿亲属系统,实践社区中的家庭社区,是表演者生存的组成部分,语言既受到这种亲属系统的影响,又被用作在这个地方导航的工具。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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