{"title":"History as the Culprit of the Fractured Pastand Presentin Gulzar’sTwo","authors":"S. Sharma","doi":"10.33008/tnl.2020.03","DOIUrl":null,"url":null,"abstract":"Seventy years after the subcontinent went under the blade of History to suffer the Partition, a sensitive poet like Gulzar feels compelled to write a novel on the same subject. Partition Literature has a long tradition in various genres and Gulzar himself has authored a number of poetic and non-fiction writings on the Partition. Yet, the subject remains beyond artistic representation and once again the pain and suffering of millions as a repercussion of the event force the literary artists to arrest and assess the problematic with new perspectives. In \"Two\", Gulzar takes up the historical event as a subject of his fictional art and depicts History as a protagonist still actively working on it without becoming history. The present paper attempts an analysis of the novel \"Two\" as a Partition novel and the author’s treatment of History in relation to the individuals victimised in its course.","PeriodicalId":135762,"journal":{"name":"Transnational Literature","volume":"661 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transnational Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33008/tnl.2020.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Seventy years after the subcontinent went under the blade of History to suffer the Partition, a sensitive poet like Gulzar feels compelled to write a novel on the same subject. Partition Literature has a long tradition in various genres and Gulzar himself has authored a number of poetic and non-fiction writings on the Partition. Yet, the subject remains beyond artistic representation and once again the pain and suffering of millions as a repercussion of the event force the literary artists to arrest and assess the problematic with new perspectives. In "Two", Gulzar takes up the historical event as a subject of his fictional art and depicts History as a protagonist still actively working on it without becoming history. The present paper attempts an analysis of the novel "Two" as a Partition novel and the author’s treatment of History in relation to the individuals victimised in its course.