Re-Empowerment of Intangible Cultural Heritage under the Meta-Cosmos: The Case of Dunhuang Cave Art

Yijing Wang
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引用次数: 1

Abstract

Intangible cultural heritage in Dunhuang cave art is now suffering from a lack of interest feedback, insufficient social awareness, and insufficient media utilization leading to difficulties in transmission and non-transmission; this article argues whether the concept of metaverse can be combined with new media forms to re-empower Dunhuang cave art, exploring its possibilities and expecting methods of implementation. The article is based on a desktop research methodological argument to explore the empowerment of Dunhuang cave art in the context of the metaverse, which explores and builds a worldview of NFT heritage in the metaverse world and obtains offline experiences such as cultural and creative products, offline cave experiences, and NFT cultural exchanges by combining the virtual world of NFT collections, virtual tours, and virtual learning of NFT techniques in exchange for tokens. We are willing to break the barrier between reality and virtual, link the stagnation and empowerment of NFT culture. The article concludes that it is feasible and reasonable to realize the empowerment of intangible cultural heritage under the Meta-Cosmos.
敦煌岩洞艺术非物质文化遗产目前存在兴趣反馈不足、社会意识不强、媒介利用不足导致传播困难和不传播的问题;本文探讨元世界的概念能否与新媒体形式相结合,重新赋能敦煌洞穴艺术,探索其可能性,并期待其实现方法。本文基于桌面研究方法论论证,探索元世界背景下敦煌洞穴艺术的赋能,在元世界中探索构建NFT遗产的世界观,并结合NFT藏品的虚拟世界、虚拟游览、虚拟学习NFT技术,以代币交换获得文创产品、线下洞穴体验、NFT文化交流等线下体验。我们愿意打破现实与虚拟的藩篱,连结NFT文化的停滞与赋能。本文认为,在元宇宙背景下实现非物质文化遗产的赋能是可行和合理的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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