Raphael Baldaya and Fernando Pessoa: The Search for a Common Universal Source of Inquiry between Symbology and Poetry

Raphael, P. Martins
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Abstract

All creation, be it a literary work or scientific theory, has its origins in symbolism and mythology, to which all cultures are linked, particularly in an unconscious way. However, at a certain point in history, there was a separation between the apprehension of the reality obtained rationally ("science") and the processes obtained through intuition and symbolism. One of the exceptions to the previous perspective is the multifaceted personality of Fernando Pessoa [1] who sought to “reconcile” these two sides of the human being, through astrological symbolism, evidenced by the works of Raphael Baldaya, and his facet as a poet, expressed in his work "initiatory" Mensagem, which deals with history and the Portuguese Soul [2]. In fact, Fernando Pessoa studied several spiritual traditions, with a particular interest in the Portuguese mythical-spiritual tradition, having a prophetic vision of Portugal, where the “Sebastianian” myth should be realized in the future V Spiritual Empire [3].
拉斐尔·巴尔达亚和费尔南多·佩索阿:在符号学和诗歌之间寻找共同的普遍调查来源
所有的创造,无论是文学作品还是科学理论,都起源于象征主义和神话,所有的文化都与之联系在一起,尤其是以一种无意识的方式。然而,在历史的某个时刻,理性获得的对现实的理解(“科学”)与通过直觉和象征主义获得的过程之间存在分离。先前观点的一个例外是费尔南多·佩索阿(Fernando Pessoa)的多面人格[1],他试图通过占星术的象征来“调和”人类的这两个方面,拉斐尔·巴尔达亚(Raphael Baldaya)的作品证明了这一点,而他作为诗人的一面,在他的作品《启蒙》(initiatory)《门萨吉姆》(Mensagem)中表达了这一点,该作品涉及历史和葡萄牙灵魂[2]。事实上,Fernando Pessoa研究了几种精神传统,对葡萄牙神话-精神传统特别感兴趣,对葡萄牙有一个预言性的愿景,在未来的V精神帝国中应该实现“Sebastianian”神话[3]。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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