Controversy: Materializing the Mystique and Mythology of Prince

D. L. Duff
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引用次数: 0

Abstract

Prince’s fourth album, Controversy, anchored the trajectory of his entire career and significantly shaped his status as a music icon. During this era, Prince leveraged his prodigious capacity for placemaking and worldbuilding and sparked his journey as a moving image auteur and film director. During the Controversy tour, Prince began experimenting with the visual language of narrative cinema as a vehicle for his music. He would go on to predate Beyoncé’s concept of the visual album by decades. The ubiquity of smoke from fog machines, combined with backlighting, present on tour and in music videos and album art, would come to mythologize the image of Prince that pop culture, more often than not, depicts—mysterious, otherworldly, and bewitching.
争议:王子的神秘与神话的物质化
普林斯的第四张专辑《争议》奠定了他整个职业生涯的轨迹,并显著地塑造了他作为音乐偶像的地位。在这个时代,普林斯利用他在场景制作和世界构建方面的惊人能力,开启了他作为电影导演和电影导演的旅程。在“争议”巡演期间,普林斯开始尝试将叙事电影的视觉语言作为他音乐的载体。他比碧昂斯的视觉专辑概念早了几十年。巡演、音乐视频和专辑封面上随处可见的烟雾,加上背光,将流行文化所描绘的神秘、超凡脱俗、迷人的王子形象神话化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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