All the world’s a stage: Paris 1855

N. Randeraad
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Abstract

I 1855 Parisians believed that their city was the centre of the world. On 15 May of that year emperor Napoleon III opened the second World’s Fair, which would attract over five million visitors. To Napoleon, this exposition was the international affirmation of his reign. Charles Louis Napoleon Bonaparte, the third son of Louis Napoleon Bonaparte, king of Holland, was elected president of the new French Republic in 1848. In 1852, he abandoned his republican ideals and had himself crowned emperor Napoleon III of France. He ordered the construction of the Palais de l’Industrie, a magnificent structure of glass and iron between the Champs-Élysées and the river Seine. The design was reminiscent of the Crystal Palace in London, which had been built for the Great Exhibition of 1851. The colossal Palais provided accommodation for the 21,779 industrial exhibitors. At 250 metres long, 108 metres wide and 35 metres high, it was one of the largest, if not the most elegant, modern structures in Paris according to the Baedeker of 1878. The exposition’s 2,175 fine art entries were housed in a separate building, the Palais des Beaux-Arts. The construction of the palaces was an integral part of the grandiose urban renewal project that the emperor asked prefect Georges Haussmann to carry out in 1853. The visitors to the World’s Fair witnessed the beginning of a demolition and construction craze that would grip the city for years to come. Napoleon also employed less peaceful means to raise the prestige of his empire. In 1854, France and Britain declared war on Russia. The Crimean War would reach a tragic low point with the siege of Sevastopol, which coincided with the Paris exposition. The siege came to an end when the French breached the Malakoff bastion on 8 September, two days before the opening of the second international statistical congress. The congress delegates were not especially concerned with the Crimean War. Nevertheless, Carl Friedrich Wilhelm Dieterici, who represented the
整个世界就是一个舞台:1855年的巴黎
1855年,巴黎人认为他们的城市是世界的中心。同年5月15日,皇帝拿破仑三世为第二届世界博览会揭幕,吸引了500多万游客。对拿破仑来说,这番讲话是国际上对他统治的肯定。查尔斯·路易·拿破仑·波拿巴是荷兰国王路易·拿破仑·波拿巴的第三个儿子,1848年当选新法兰西共和国总统。1852年,他放弃了自己的共和理想,把自己加冕为法国皇帝拿破仑三世。他下令在香榭丽舍-Élysées和塞纳河之间建造一座宏伟的玻璃和铁结构的工业宫。这个设计让人想起伦敦的水晶宫,它是为1851年的世界博览会而建的。这座巨大的宫殿为21779名工业参展商提供了住宿。它长250米,宽108米,高35米,根据1878年的Baedeker,它是巴黎最大的现代建筑之一,如果不是最优雅的建筑的话。博览会的2175件精美艺术品被安置在另一栋建筑里,即美术宫(Palais des Beaux-Arts)。宫殿的建造是1853年皇帝要求总督乔治·豪斯曼(Georges Haussmann)实施的宏伟城市改造计划的组成部分。世博会的参观者见证了一场拆除和建设热潮的开始,这场热潮将在未来几年席卷这座城市。拿破仑还采用了不那么和平的手段来提高帝国的威望。1854年,法国和英国向俄国宣战。随着塞瓦斯托波尔被围困,克里米亚战争达到了悲剧性的低谷,而塞瓦斯托波尔与巴黎博览会同时发生。9月8日,在第二届国际统计大会开幕的前两天,法国人攻破了马拉科夫堡垒,围攻终于结束了。与会代表并不特别关心克里米亚战争。然而,卡尔·弗里德里希·威廉·迪特里奇,他代表
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