{"title":"GENDERED ALLEGORIES OF THE SCOTTISH NATION IN ALASDAIR GRAY’S FICTION","authors":"E. A. Martynenko","doi":"10.18522/1995-0640-2022-1-157-168","DOIUrl":null,"url":null,"abstract":"Being an ardent patriot and Scottish nationalist Alasdair Gray has created a whole gallery of national allegories in his fiction. Until recently, researchers’ attention (K. Stirling, I. Platt, C. Blomeley) has been mainly focused on female national figures. Nevertheless, one of the basic categories of Scottish cultural identity has always been masculinity rather than femininity. Consequently, the key cultural trope of national literature is considered the “hard man”. The aim of this research is to provide a comprehensive analysis of male characters in A. Gray’s fiction based on J. Homberg-Schramm’s classification of national masculinity types: traditional man, compensatory man, and the man in transition. In his novels, traditional masculinity is associated with the generation of “fathers”, and is hugely criticized as a relic of the past. Toxic masculinity is embodied in the figures of “justified sinners” (misfits, and men suffering from mental disorders) whose viciousness results from colonial trauma. In order to fight degrading national stereotypes A. Gray has produced a number of positive images of male characters who, interestingly enough, serve as an illustration of writer’s changing views on Scottish masculinity. The given article may be of special interest to scholars whose expertise lies in the area of contemporary British fiction as well as Postcolonial and Gender Studies.","PeriodicalId":228573,"journal":{"name":"Proceedings of Southern Federal University. Philology","volume":"410 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of Southern Federal University. Philology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18522/1995-0640-2022-1-157-168","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Being an ardent patriot and Scottish nationalist Alasdair Gray has created a whole gallery of national allegories in his fiction. Until recently, researchers’ attention (K. Stirling, I. Platt, C. Blomeley) has been mainly focused on female national figures. Nevertheless, one of the basic categories of Scottish cultural identity has always been masculinity rather than femininity. Consequently, the key cultural trope of national literature is considered the “hard man”. The aim of this research is to provide a comprehensive analysis of male characters in A. Gray’s fiction based on J. Homberg-Schramm’s classification of national masculinity types: traditional man, compensatory man, and the man in transition. In his novels, traditional masculinity is associated with the generation of “fathers”, and is hugely criticized as a relic of the past. Toxic masculinity is embodied in the figures of “justified sinners” (misfits, and men suffering from mental disorders) whose viciousness results from colonial trauma. In order to fight degrading national stereotypes A. Gray has produced a number of positive images of male characters who, interestingly enough, serve as an illustration of writer’s changing views on Scottish masculinity. The given article may be of special interest to scholars whose expertise lies in the area of contemporary British fiction as well as Postcolonial and Gender Studies.
作为一个热情的爱国者和苏格兰民族主义者,阿拉斯代尔·格雷在他的小说中创作了一系列关于民族的寓言。直到最近,研究人员的注意力(K. Stirling, I. Platt, C. Blomeley)主要集中在女性国民人物上。然而,苏格兰文化认同的一个基本范畴一直是男性气质,而不是女性气质。因此,民族文学的关键文化隐喻被认为是“硬汉”。本研究旨在以霍姆伯格-施拉姆(J. Homberg-Schramm)所提出的“传统男性”、“补偿男性”和“转型男性”这三种民族男性气质类型为基础,对格雷小说中的男性形象进行综合分析。在他的小说中,传统的男子气概与“父亲”一代联系在一起,并被广泛批评为过去的遗物。有毒的男子气概体现在“被正义的罪人”(格格不入的人,患有精神障碍的人)的形象中,他们的邪恶源于殖民创伤。为了与有辱人格的民族刻板印象作斗争,a .格雷创作了许多正面的男性形象,有趣的是,这些形象反映了作家对苏格兰男性气质看法的变化。给定的文章可能是特别感兴趣的学者,其专长在于当代英国小说以及后殖民和性别研究领域。