Pekatik in gambuh dramatic show

I. W. Budiarsa
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引用次数: 2

Abstract

A dramatic performance that presents a play will be found by several figures according to their social status, which is a reflection of people’s lives that are staged on the stage. Gambuh, for example, as the mother of the Balinese drama that appeared afterward and has developed from the Ancient Bali era, Classical Bali to the present, there are at least several strata of characters that appear, one of which is the Pekatik actor. This servant character only appears according to the needs of the storyline being presented, has the character of being innocent, funny, and antawacana using Balinese. Now, in some Gambuh performances, the Pekatik character is very rare because after the 1990s this role was replaced by the Semar character. This study is very important as a source of written data that will be used as reference material for future researchers. This research uses qualitative methods, as well as data collection using literature review techniques, documentation, and interviews.
Pekatik在甘布的戏剧表演
一场戏剧表演是由几个人物根据他们的社会地位来寻找,这是舞台上人们生活的反映。举个例子,甘布,作为巴厘岛戏剧之母之后出现并从古巴厘岛时代,古典巴厘岛发展到现在,至少有几个层次的角色出现,其中一个是Pekatik演员。这个仆人角色只是根据所呈现的故事情节的需要而出现,具有天真、有趣、使用巴厘语的安塔瓦卡纳的特点。现在,在一些甘布表演中,Pekatik这个角色是非常罕见的,因为在20世纪90年代之后,这个角色被Semar角色所取代。这项研究是非常重要的,作为一个书面数据的来源,将被用作未来研究人员的参考资料。本研究使用定性方法,以及使用文献回顾技术,文档和访谈收集数据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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