Between the gangster and the country gentleman: Male fashion during the volatile 1990s

H. Goscilo
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Abstract

Official de-Sovietization during the chaotic 1990s ushered in ‘The New’ – ostensibly, a new sociopolitical and economic order, a new business vocabulary, the new word ‘rossiiane’ for Russian citizens, the New Russians and the new genre of male fashion. Much of the new, in fact, recuperated the pre-Soviet old, including appropriation of western styles in sundry walks of life. Within male fashion, sartorial choice signalled allegiance to the ‘new’ order, financial and social status, individualism or membership in various collectives. Glossies targeting a male readership served as both primers and advertisements for men intent on forging an identity expressed in sartorial choices derived from such western modes as grunge, pop, Mafia, British rural garb and youth-eclectic ‘casual’. For better and worse, that plethora reflected the seemingly endless options for the country during the Yeltsin era.
在黑帮和乡村绅士之间:动荡的90年代的男性时尚
在混乱的上世纪90年代,官方的去苏维埃化带来了“新”——表面上看,是一种新的社会政治和经济秩序,一种新的商业词汇,俄罗斯公民的新词“rossiiane”,新俄罗斯人以及男性时尚的新类型。事实上,许多新事物都是对前苏联时代的恢复,包括在各行各业中挪用西方风格。在男性时尚中,服装的选择标志着对“新”秩序、经济和社会地位、个人主义或各种集体成员的忠诚。以男性读者为目标的时尚杂志,既是男性的入门读物,也是他们的广告,这些男性希望通过服装选择来表达自己的身份,这些服装选择来自西方的风格,如垃圾摇滚、流行、黑手党、英国乡村服装和青年折衷主义的“休闲”。不管是好是坏,这种过剩反映了叶利钦时代这个国家似乎有无穷无尽的选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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