The Eudemonic and Hedonic Impacts of Attending Live and Virtual Music and Art Events

Philippa Kirwan, S. Morris
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Abstract

This paper examines the under-investigated well-being impacts of arts and music events attendance, in both a live and virtual capacity. Using eudaimonia and hedonia as a measure for well-being, three objectives were investigated; 1) Do live arts and music events meet attendees eudemonic and hedonic needs? 2) Do virtual arts and music events meet attendees eudemonic and hedonic needs? 3) How do live and virtual music and art events compare in meeting attendees eudemonic and hedonic needs? The study focused on attendee’s experiences having attended both live and virtual events. Using nine semi-structured interviews this research found that live music and art events offer more eudemonic and hedonic impacts for the attendee than virtual events. Additionally, participants at live events experienced hedonia, although it was unclear whether all participants experienced eudaimonia, achieving overall well-being. Participants of virtual events, on the other hand felt that the social aspects and atmosphere were lacking, while a few of the participants did not achieve any eudemonic or hedonic impacts on their well-being.  
参加现场和虚拟音乐和艺术活动的幸福和享乐影响
本文考察了未充分调查的艺术和音乐事件出席的福祉影响,在现场和虚拟的能力。用快乐和享乐作为衡量幸福的标准,研究了三个目标;1)现场艺术和音乐活动是否满足了参与者的幸福和享乐需求?2)虚拟艺术和音乐活动是否满足了参与者的幸福和享乐需求?3)在满足参与者的幸福和享乐需求方面,现场和虚拟音乐和艺术活动的对比如何?这项研究的重点是参与者参加现场和虚拟活动的经历。通过九次半结构化访谈,本研究发现现场音乐和艺术活动比虚拟活动对参与者提供更多的幸福和享乐影响。此外,现场活动的参与者经历了享乐主义,尽管尚不清楚是否所有参与者都经历了享乐主义,实现了整体的幸福。另一方面,虚拟活动的参与者觉得社交方面和氛围缺乏,而一些参与者没有对他们的幸福感产生任何幸福或享乐的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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