Postmodernism and Logo Design: Take the Memphis Style as an Example

Yiyuan Wang
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Abstract

In the context of the post-industrial era, the comprehensive development process of transforming the design purpose into a design concept is particularly prominent in terms of breadth and depth of the impact on product design. Its postmodernism aims to better adapt to the material foundation and spiritual needs of human spiritual and cultural development, and between manufacturing and design. the intersection of the product is the core, so that the performance between the product and the design becomes more and more profound. Using the literature research and analysis method, the comparative research method is used to analyze the changes in the performance of art symbols in postmodernism and summarize the expression methods of Memphis design. The humanization, diversification, personalization, color, etc. of the performance have the characteristics of Memphis style, which fully reflects the needs of human life diversity. The pursuit and performance are also in line with the characteristics of the popularization of art ubiquitous in society. At the same time, the logo performance constantly draws on and adopts the orthogonal spirit of humanism, which closely combines traditional art theory and real cultural life, and closely combines the theory of traditional art with the actual life of modern art, so as to fully oppose Reflecting the pursuit of the universal life of mankind and the increasing needs of social material civilization and real cultural survival.
后现代主义与标志设计:以孟菲斯风格为例
在后工业时代背景下,将设计目的转化为设计理念的全面发展过程对产品设计的影响在广度和深度上尤为突出。其后现代主义旨在更好地适应人类精神文化发展的物质基础和精神需求,介于制造与设计之间。产品的交叉点是核心,使产品与设计之间的表现越来越深刻。运用文献研究法和分析法,运用比较研究法分析后现代主义中艺术符号表现的变化,总结出孟菲斯设计的表现方法。表演的人性化、多样化、个性化、色彩化等具有孟菲斯风格的特点,充分体现了人类生活多样性的需求。这种追求和表现也符合艺术大众化在社会中无处不在的特点。同时,标志表演不断借鉴和采用人文主义的正交精神,将传统艺术理论与现实文化生活紧密结合,又将传统艺术理论与现代艺术的实际生活紧密结合,从而充分反对反映人类普遍生活的追求和社会物质文明与现实文化生存日益增长的需求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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