THE PRACTICAL COMPONENT OF THE PROFESSIONAL HUMANITARIAN SPECIALIST TRAINING WHILE STUDYING THE HISTORY OF MUSIC ART

O. Lukyanenko, K. Krepak
{"title":"THE PRACTICAL COMPONENT OF THE PROFESSIONAL HUMANITARIAN SPECIALIST TRAINING WHILE STUDYING THE HISTORY OF MUSIC ART","authors":"O. Lukyanenko, K. Krepak","doi":"10.33989/2519-8254.2022.11.275540","DOIUrl":null,"url":null,"abstract":"The research is designed to reveal the specifics of the practical component of the professional training of future specialists in the humanitarian field while studying the history of music art. Emphasis is placed on the first block study – the history of primitive music, one of the little-studied and controversial components of the subjects of art history and culture studies cycles. The article analyzes the main theories of the origin of music and offers options for constructing the practical part of the disciplines, illustrating each scientific explanation with appropriate audio and visual materials. \nThe authors analyze the method of creation and practical application of the student's audio library, which can be used when learning the history of music in the primitive age. The article discusses views on the life role in the environment of primordial noise. The ways of studying the interpretation of sound for a primitive person by the students are determined, in particular, not from the position of «pleasant-unpleasant sound» but from the position of reproducibility of melody and rhythm. The study offers some practical exercises to make the student understand the symmetry of the sound series that primitive man created by copying the sounds of animals, which is a consequence not only of the symmetry of animal sounds but also of the direct geometric symmetry of the natural world. Scientific exploration forms a set of exercises that help the student, at the same time as determining the uniformity of the tempo rhythms of nature, which influenced the formation of primitive music, to understand the presence of variability in the seemingly monolithic mechanical world of the living. \nThe practice of involving audio-visual sources in the educational process is characterized. Attention is focused on the heuristic model of learning, which requires education seekers to constantly search and determine their trajectory of educational, scientific, and professional development. Practical classes are offered that stimulate the student to master modern research methods and digital tools in the field of culture and art, a future profession. It will allow you to consolidate existing and develop new professional and work skills in a constantly changing digital environment, taking into account sustainable development and traditional methods of scientific research.","PeriodicalId":130848,"journal":{"name":"Ukrainian professional education","volume":"53 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ukrainian professional education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33989/2519-8254.2022.11.275540","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

The research is designed to reveal the specifics of the practical component of the professional training of future specialists in the humanitarian field while studying the history of music art. Emphasis is placed on the first block study – the history of primitive music, one of the little-studied and controversial components of the subjects of art history and culture studies cycles. The article analyzes the main theories of the origin of music and offers options for constructing the practical part of the disciplines, illustrating each scientific explanation with appropriate audio and visual materials. The authors analyze the method of creation and practical application of the student's audio library, which can be used when learning the history of music in the primitive age. The article discusses views on the life role in the environment of primordial noise. The ways of studying the interpretation of sound for a primitive person by the students are determined, in particular, not from the position of «pleasant-unpleasant sound» but from the position of reproducibility of melody and rhythm. The study offers some practical exercises to make the student understand the symmetry of the sound series that primitive man created by copying the sounds of animals, which is a consequence not only of the symmetry of animal sounds but also of the direct geometric symmetry of the natural world. Scientific exploration forms a set of exercises that help the student, at the same time as determining the uniformity of the tempo rhythms of nature, which influenced the formation of primitive music, to understand the presence of variability in the seemingly monolithic mechanical world of the living. The practice of involving audio-visual sources in the educational process is characterized. Attention is focused on the heuristic model of learning, which requires education seekers to constantly search and determine their trajectory of educational, scientific, and professional development. Practical classes are offered that stimulate the student to master modern research methods and digital tools in the field of culture and art, a future profession. It will allow you to consolidate existing and develop new professional and work skills in a constantly changing digital environment, taking into account sustainable development and traditional methods of scientific research.
在研究音乐艺术史的同时,对专业人道主义专家进行实践性的培训
该研究旨在揭示在研究音乐艺术史的同时,人道主义领域未来专家专业培训的实践部分的具体内容。重点放在第一个块研究-原始音乐史,艺术史和文化研究周期的主题中很少研究和有争议的组成部分之一。文章分析了音乐起源的主要理论,提出了构建学科实践部分的选择,并以适当的视听材料说明了每一种科学的解释。分析了学生音频库的制作方法和实际应用,为学生学习原始时代音乐史提供了参考。本文论述了原始噪声在环境中的生命作用。学生们研究原始人对声音的解释的方式,特别地,不是从“悦耳-不悦耳的声音”的立场出发,而是从旋律和节奏的再现性的立场出发。本研究提供了一些实践练习,使学生了解原始人通过模仿动物的声音而创造的声音序列的对称性,这不仅是动物声音对称的结果,也是自然世界直接几何对称的结果。科学探索形成了一套练习,帮助学生在确定影响原始音乐形成的自然节奏的一致性的同时,理解在看似单一的机械世界中存在的可变性。在教学过程中引入音像资源的实践是有特点的。人们的注意力集中在启发式学习模式上,这种模式要求受教育者不断寻找和确定自己的教育、科学和专业发展轨迹。提供实践课程,刺激学生掌握文化艺术领域的现代研究方法和数字工具,这是未来的职业。它将使您能够在不断变化的数字环境中巩固现有并发展新的专业和工作技能,同时考虑到可持续发展和传统的科学研究方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信