Crafting Code: Gender, Coding and Spatial Hybridity in the Events of Pyladies Dublin

Sophia Maalsen, Sung-Yueh Perng
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引用次数: 6

Abstract

In this paper we look at the integration of the digital and the resurgent interest in crafting artefacts. We do this by focusing on the work, relationships and spaces occupied by Pyladies Dublin - a coding group intended for women to learn and 'craft' code in the programming language of Python. Pyladies offers an interesting and fruitful case study as it intersects gender, relations of making and places of making, nested firmly within the digital world. The relations of making within the Pyladies group provides salient insight into the production of code, gender and space. Pyladies is predominantly attended by women with the focus to encourage women to become more active members and leaders of the Python community. By producing code in a friendly space, the group also actively works towards producing coding subjectivities and hybrid, mobile spatiality, seeking to produce coding and technology culture that is diverse and gender equitable. We base our ethnographic study to suggest ways in which Pyladies Dublin is consistently engaging in crafting code and crafting coding subjectivity and spatiality.
制作代码:都柏林Pyladies事件中的性别、编码和空间杂交性
在这篇论文中,我们着眼于数字化的整合和对手工制品的复兴兴趣。我们通过关注Pyladies Dublin的工作、关系和占用的空间来做到这一点——Pyladies Dublin是一个旨在让女性学习和“制作”Python编程语言代码的编程小组。Pyladies提供了一个有趣而富有成效的案例研究,因为它将性别、制作关系和制作地点牢牢地嵌套在数字世界中。Pyladies小组内部的制作关系为代码、性别和空间的生产提供了突出的见解。Pyladies主要由女性参加,其重点是鼓励女性成为Python社区更活跃的成员和领导者。通过在友好的空间中编写代码,该团队还积极致力于编写代码的主体性和混合、移动的空间性,寻求生成多样化和性别平等的编码和技术文化。我们基于我们的民族志研究来建议Pyladies Dublin始终如一地参与编写代码和编写编码主观性和空间性的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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