A Critical Appraisal of T. S Eliot’s Tradition and Individual Talent

Dinesh Kumar
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Abstract

" It is an established fact that T.S. Eliot was a multifaceted personality who imparted a new depth and gravity to literary criticism. Although his reputation chiefly rests upon his poetry but without any shade of doubt, his contribution in the sphere of criticism cannot be underestimated. His landmark essay is divided into three parts in which he, first of all, he posit that what often makes poetry great is the degree to which it is in conversation with the poetry of the past. In the second part of the essay, Eliot expounds the idea that the creation of poetry is an act of depersonalization. For him, great art is not an expression of a poet’s personal emotions but rather an act of aesthetic distillation which is primarily typifies built on his idea of the poet as an impersonal medium. This paper throws light on Eliot’s conviction of the tradition where the personality of pure poetry is evidence of the objective correlative paradigm. This suggests too, that honest criticism and sensitive appreciation of essentially poetry are directed not at the poet but upon the poetry. Eliot’s final point is that the poet’s sense of tradition and the impersonality of poetry are complimentary."
t·S·艾略特的传统与个人才能评析
“众所周知,T.S.艾略特具有多方面的个性,他赋予文学批评新的深度和严肃性。虽然他的名声主要是靠他的诗,但毫无疑问,他在批评领域的贡献是不容低估的。他那篇具有里程碑意义的文章分为三个部分,首先,他认为诗歌的伟大之处在于它与过去诗歌的对话程度。在文章的第二部分,艾略特阐述了诗歌创作是一种去人格化的行为。对他来说,伟大的艺术不是诗人个人情感的表达,而是一种审美升华的行为,这种升华主要是建立在他认为诗人是一种非个人媒介的观点之上的。本文揭示了艾略特对传统的信念,即纯粹诗歌的个性是客观相关范式的证据。这也表明,诚实的批评和对本质上是诗歌的敏感的欣赏不是针对诗人,而是针对诗歌。艾略特的最后一点是,诗人的传统意识和诗歌的非人格是互补的。”
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