THE CONCEPT OF «WAR» IN RUSSIAN LITERATURE OF THE XIX – EARLY XX CENTURY (M. Y. LERMONTOV, L. N. TOLSTOY, V. M. GARSHIN, L. N. ANDREEV)

O. Evdokimova, Irina Ivanova, Larisa V. Lyapaeva, Nataliia Obzhogina, L. Sarbash, Svetlana Fedyay
{"title":"THE CONCEPT OF «WAR» IN RUSSIAN LITERATURE OF THE XIX – EARLY XX CENTURY (M. Y. LERMONTOV, L. N. TOLSTOY, V. M. GARSHIN, L. N. ANDREEV)","authors":"O. Evdokimova, Irina Ivanova, Larisa V. Lyapaeva, Nataliia Obzhogina, L. Sarbash, Svetlana Fedyay","doi":"10.18769/IJASOS.876852","DOIUrl":null,"url":null,"abstract":"The concept of \"war\" can be viewed as a landmark for understanding the picture of the world created by Russian writers during the XIX – early XX centuries. In the article, this concept is investigated in the dynamics of temporal and creative development based on the works of M.Y. Lermontov, L.N. Tolstoy, V.M. Garshin, in whose work the military theme occupies one of the main places, as well as L.N. Andreeva. The focus is on the poem by M.Y. Lermontov \"Valerik\", Caucasian and Sevastopol stories by L.N. Tolstoy, stories by V.M. Garshin, the story of L.N. Andreeva \"Red Laughter\". In the course of the analysis, the semantic components of the concept of \"war\" are highlighted, which are equally important for both the author and the reader. So, in particular, the concept of \"war\" is represented in the epic novel \"War and Peace\" in a wide semantic range: the patriotic thought about the war of liberation is combined with the understanding of its senseless cruelty and includes the philosophical and historical concept of the writer about the causes of the war, about \"authorship” of a historical event. Based on the concept of concept, the authors of the article show that the chronotope of war is not limited to depicting historical events: it includes a content field associated with various moral and ethical aspects of the work. In the article, using the example of different types of literature (lyrics, epics) and genres (lyric poem, story, story, novel), as well as different periods of Russian literature, such meaningful antinomies as \"life-death\", \"good-evil\", dichotomy \"man-nature\" and the perception of insight – the spiritual and moral changes of man in war. Comprehension of various semantic facets of the concept of \"war\" in the work of M.Y. Lermontov, L.N. Tolstoy, V.M. Garshina, L.N. Andreeva gives grounds to show the commonality of views of these authors in understanding war as senseless cruelty both in the fate of a private person and in the fate of entire nations. As a result, the concept of \"war\" as a universal textual category allows one to see new semantic layers of a literary text in the works of Russian writers of the XIX – early XX centuries and to reveal new interpretations of it.","PeriodicalId":112620,"journal":{"name":"IJASOS- International E-journal of Advances in Social Sciences","volume":"40 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"IJASOS- International E-journal of Advances in Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18769/IJASOS.876852","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

The concept of "war" can be viewed as a landmark for understanding the picture of the world created by Russian writers during the XIX – early XX centuries. In the article, this concept is investigated in the dynamics of temporal and creative development based on the works of M.Y. Lermontov, L.N. Tolstoy, V.M. Garshin, in whose work the military theme occupies one of the main places, as well as L.N. Andreeva. The focus is on the poem by M.Y. Lermontov "Valerik", Caucasian and Sevastopol stories by L.N. Tolstoy, stories by V.M. Garshin, the story of L.N. Andreeva "Red Laughter". In the course of the analysis, the semantic components of the concept of "war" are highlighted, which are equally important for both the author and the reader. So, in particular, the concept of "war" is represented in the epic novel "War and Peace" in a wide semantic range: the patriotic thought about the war of liberation is combined with the understanding of its senseless cruelty and includes the philosophical and historical concept of the writer about the causes of the war, about "authorship” of a historical event. Based on the concept of concept, the authors of the article show that the chronotope of war is not limited to depicting historical events: it includes a content field associated with various moral and ethical aspects of the work. In the article, using the example of different types of literature (lyrics, epics) and genres (lyric poem, story, story, novel), as well as different periods of Russian literature, such meaningful antinomies as "life-death", "good-evil", dichotomy "man-nature" and the perception of insight – the spiritual and moral changes of man in war. Comprehension of various semantic facets of the concept of "war" in the work of M.Y. Lermontov, L.N. Tolstoy, V.M. Garshina, L.N. Andreeva gives grounds to show the commonality of views of these authors in understanding war as senseless cruelty both in the fate of a private person and in the fate of entire nations. As a result, the concept of "war" as a universal textual category allows one to see new semantic layers of a literary text in the works of Russian writers of the XIX – early XX centuries and to reveal new interpretations of it.
“战争”的概念可以被看作是理解十九世纪至二十世纪初俄罗斯作家所创造的世界图景的一个里程碑。本文以莱蒙托夫、托尔斯泰、加申(他们的作品中军事主题占有重要地位)和安德烈耶娃的作品为基础,从时间和创造性发展的动态角度考察了这一概念。重点是莱蒙托夫的诗《瓦列里克》,托尔斯泰的高加索和塞瓦斯托波尔故事,加申的故事,安德烈耶娃的故事《红色的笑声》。在分析过程中,突出了“战争”概念的语义成分,这对作者和读者都同样重要。因此,在史诗小说《战争与和平》中,“战争”的概念在一个广泛的语义范围内表现出来:关于解放战争的爱国思想与对其毫无意义的残酷的理解结合在一起,包括作者对战争原因的哲学和历史观念,关于一个历史事件的“作者”。基于概念的概念,文章的作者表明,战争的计时表并不局限于描绘历史事件:它包括与作品的各种道德和伦理方面相关的内容领域。本文以不同类型的文学(抒情诗、史诗)和体裁(抒情诗、故事、故事、小说)以及不同时期的俄罗斯文学为例,探讨了“生-死”、“善恶”、“人-自然”二分法、“洞见”等有意义的二律反——战争中人的精神和道德变化。通过对莱蒙托夫、托尔斯泰、加尔希纳、安德烈耶娃等人作品中“战争”概念的不同语义层面的理解,我们可以看出这些作者的观点是一致的,他们都把战争理解为对个人命运和整个国家命运的毫无意义的残酷。因此,“战争”的概念作为一个普遍的文本范畴,允许人们在十九世纪至二十世纪初的俄罗斯作家的作品中看到文学文本的新语义层,并揭示对它的新解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信