Sygnatury matrifokalne w najnowszej polskiej poezji kobiet. Justyna Bargielska i Beata Patrycja Klary

Beata Morzyńska-Wrzosek
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引用次数: 0

Abstract

Based on the poetry of Justyna Bargielska and Beata Patrycja Klary, the article aims to present the experience of maternity which escapes generalisations, demanding an interpretation that is involved, affective, sensitive to mixing conventions, searching for internal relations, open to thecreation of unobvious meanings, provocations and contrariness. Bargielska’s matrifocal signatureis marked by melancholy and affirmation, while Klary introduces fragments of medical epicrisis and a prosthesis in the form of a reborn doll. Both poets use various registers and extreme means of expression; they condense images, giving voice to different semantic undertones in order to describe/introduce to literature an experience which, as it turns out, resists universal qualifications.
本文以Justyna Bargielska和Beata Patrycja Klary的诗歌为基础,旨在呈现一种不被概括的母性体验,要求一种涉及的、情感的、对混杂的习俗敏感的、寻找内部关系的、开放的、不明显的意义的创造、挑衅和对立的解释。Bargielska的母焦特征以忧郁和肯定为特征,而Klary则引入了医学危机的片段和再生娃娃形式的假体。两位诗人都使用不同的语域和极端的表达方式;他们浓缩图像,赋予不同的语义底色,以描述/引入文学经验,而事实证明,这种经验抵制普遍的资格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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