Aesthetic and Sociological Imagination in Contemporary Visual Culture

Ugurhan Yilmaz, Ece Nur DEMİR YILMAZ
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Abstract

: This study aims to examine the relationship between aesthetic and sociological imagination within the framework of the characteristics of visual forms (art/media images) in the environment of contemporary visual culture and to make a theoretical assessment of the importance of these imagery structures in art and art education. These assessments were carried out from a perspective based on the relationship between art and society. As a result of these assessments, it was found that the relationship between aesthetic and sociological imagination is intertwined within the scope of the production, distribution, and consumption processes of visual forms in the postmodern process, and in parallel with this situation, the importance of teaching activities and curriculum arrangements for the integration of both imagination structures in art education has been encountered. It has been understood that pedagogical activities focused on developing sociological imagination will provide a sociological perspective to the aesthetic imagination of individuals; thus, it will help to provide a conscious way of thinking about the cultural and social characteristics of visual forms.
当代视觉文化中的美学与社会学想象
本研究旨在探讨当代视觉文化环境中视觉形式(艺术/媒体图像)特征框架内美学与社会学想象之间的关系,并对这些图像结构在艺术和艺术教育中的重要性进行理论评估。这些评估是从艺术与社会关系的角度进行的。在这些评估的结果中,我们发现美学和社会学想象之间的关系在后现代过程中视觉形式的生产、分配和消费过程的范围内交织在一起,与此同时,教学活动和课程安排对艺术教育中两种想象结构的整合的重要性也被遇到。人们已经认识到,注重发展社会学想象力的教学活动将为个人的审美想象力提供社会学视角;因此,它将有助于提供一种有意识的方式来思考视觉形式的文化和社会特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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