« L’immeuble que nous sommes » : la réfraction de l’espace dans le Journal de confinement de Wajdi Mouawad

Laura Brignoli
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Abstract

This study focuses on the Journal du confinement, monologues that the French-speaking Lebanese writer, Wajdi Mouawad, published online when the pandemic interrupted his theatrical activity. The article analyzes the relationship to space maintained by some of the monologues, centred specifically on the dimension of the human residence, and on the dialogue between interior and exterior, between the self and the universe perceived in the spatio-temporal perspective. Through the Bachelardian teaching, we identify the function of the most meaningful spaces in the work, by considering, through the lexical choices, the echo-effects, the recurrence of places, themes or patterns, the semantic values that the author attributes to them, to determine the way in which confinement has modified the author's relationship with his own space and the means he has found to get out of the “cage.”
《我们是什么建筑》:瓦伊迪·穆阿瓦德的遏制日记中的空间折射
这项研究的重点是讲法语的黎巴嫩作家瓦伊迪·穆阿瓦德(Wajdi Mouawad)在疫情中断他的戏剧活动时在网上发表的独白《禁闭日记》(Journal du confinement)。本文分析了一些独白与空间的关系,特别是集中在人类居住的维度上,以及在时空视角下感知到的内部与外部、自我与宇宙之间的对话。通过巴舍拉蒂的教学,我们通过词汇的选择、回声效应、地点、主题或模式的重复、作者赋予它们的语义价值,来确定作品中最有意义的空间的功能,从而确定禁闭如何改变了作者与自己的空间的关系,以及他找到了走出“笼子”的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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