The Great Animal Orchestra: The sounds of the natural world are krause’s canvas

Katianne Williams
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Abstract

Visitors to the Peabody Essex Museum in Salem, Massachusetts, lie back on low-slung couches and sprawl on the deep pile carpet. The theatrical space they are in is slightly larger than a volleyball court. A screen surrounds the audience on three sides, a 2-m-wide reflecting pool below it. The walls, ceilings, and floor are acoustically treated, and no outside sound or light enters the space. The visitors sit in quiet darkness. They are here for Soundscape Ecologist and Sound Artist Dr. Bernie Krause’s Great Animal Orchestra, an exhibit conceived by the Fondation Cartier pour l’art contemporain based on Krause’s years of work recording in the field and his 2012 book of the same name.
伟大的动物管弦乐队:大自然的声音是克劳斯的画布
参观马萨诸塞州塞勒姆皮博迪埃塞克斯博物馆(Peabody Essex Museum)的游客们躺在低矮的沙发上,四肢伸开躺在厚厚的地毯上。他们所在的剧场空间比排球场稍大。三面围绕着观众的屏幕,下面是一个2米宽的反射池。墙壁、天花板和地板都经过隔音处理,没有外部的声音或光线进入空间。客人们坐在安静的黑暗中。他们来这里是为了音景生态学家和声音艺术家伯尼·克劳斯博士(Dr. Bernie Krause)的《伟大的动物乐团》(Great Animal Orchestra),这是一个由卡地亚当代艺术基金会(foundation Cartier pour l’art contemporain)构想的展览,基于克劳斯多年来在该领域的工作记录和他2012年出版的同名书籍。
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