Man Down: The Evolution of Masculinity and Mental Health Narratives in Rap Music

R. Hart
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引用次数: 2

Abstract

This article explores how one of the most typically hyper-masculine cultural arenas in Britain and America has evolved over the past 30 years, as rap artists decide to reject the stoicism of toxic masculinity in favour of promoting healthier conversations surrounding men’s mental health and associated coping mechanisms. Though rap has always been vocal about mental distress, its dominant narratives have evolved over the past 30 years to talk more specifically and positively about mental health issues. Over time rap has begun promoting therapy, medication, self-care and treatment, rather than self-medication via drugs and alcohol, or violence against the self or others. This is symbiotically informing and being informed by society’s changing ideas about masculinity and the construct of gender. In order to explore the evolution in discussions around men’s mental health from the 1990s to the present day, this article is split into three sections, each focusing on a different decade. I closely analyse the lyrics of one rap song in each chapter, which has been selected to represent rap’s general trends regarding discussions of mental health from that decade. I also briefly explore other songs that prove the decade’s trends. This article draws upon academic research as well as personal interviews undertaken with Solomon OB (2016’s National Poetry Slam champion), and Elias Williams, founder of MANDEM.com (an online media platform engaging with social issues and shining a light on young men of colour). I posit that rap culture is often wrongly overlooked as a forum for progressive social change, explaining why it is crucial that academia further appreciates and examines rap’s potential for changing cultural perceptions of masculinity and mental health.   To cite this paper please use the following details: Hart, R. (2019), 'Man Down: The Evolution of Masculinity and Mental Health Narratives in Rap Music', Reinvention: an International Journal of Undergraduate Research, Volume 12, Issue 1, https://reinventionjournal.org/article/view/430/388. Date accessed [insert date]. If you cite this article or use it in any teaching or other related activities please let us know by e-mailing us at Reinventionjournal@warwick.ac.uk.
男人堕落:说唱音乐中男子气概和心理健康叙事的演变
这篇文章探讨了在过去的30年里,英国和美国最典型的超级男性化文化舞台之一是如何演变的,因为说唱艺术家们决定拒绝有毒男子气概的坚忍,而倾向于促进围绕男性心理健康和相关应对机制的更健康的对话。尽管说唱一直在直言不讳地表达精神痛苦,但在过去30年里,它的主导叙事已经演变成更具体、更积极地谈论精神健康问题。随着时间的推移,说唱开始促进治疗、药物治疗、自我护理和治疗,而不是通过药物和酒精进行自我治疗,或者对自己或他人使用暴力。这是一种共生关系,告知并被社会对男性气概和性别结构的不断变化的观念所告知。为了探讨从20世纪90年代到现在关于男性心理健康的讨论的演变,本文分为三个部分,每个部分都关注不同的十年。我仔细分析了每一章中一首说唱歌曲的歌词,这些歌曲被挑选出来代表了那十年来关于心理健康讨论的说唱的总体趋势。我还简要探讨了证明这十年趋势的其他歌曲。本文借鉴了学术研究以及对所罗门·OB(2016年全国诗歌大满贯冠军)和伊莱亚斯·威廉姆斯(MANDEM.com的创始人)的个人采访。MANDEM.com是一个关注社会问题的在线媒体平台,关注有色人种的年轻男性。我认为,说唱文化常常被错误地忽视了作为进步社会变革的论坛,这解释了为什么学术界进一步欣赏和研究说唱改变男性气概和心理健康的文化观念的潜力是至关重要的。引用本文请使用以下详细信息:Hart, R.(2019),“Man Down:说唱音乐中男子气概和心理健康叙事的演变”,再造:本科生研究国际期刊,第12卷,第1期,https://reinventionjournal.org/article/view/430/388。访问日期[insert Date]。如果你引用这篇文章或在任何教学或其他相关活动中使用它,请通过电子邮件Reinventionjournal@warwick.ac.uk告诉我们。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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