KONSEP PENDIDIKAN KARAKTER PEREMPUAN MINANGKABAU SEBAGAI IDE PENCIPTAAN LUKISAN EKSPRESI SIMBOLIK

Rest Melia Fenetri, Dharsono Dharsono, Ahmad Akmal
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Abstract

ABSTRACT This study focuses on the concept of ideal woman according to Minangkabau philosophy. The criteria of the ideal woman can be found in proverbs containing implicit meaning related to ethical value namely the view about woman’s ideal morality. That interpretation can be comprehended from its function and purpose as a concept of moral and character education for Minangkabau young generation.The study toward the character education of Minangkabau woman based on the interpretation of meaning from the concept of Minangkabau ideal woman became the basis of fine art creative idea resulting on the icon of personal expression. This artwork was materialized into the painting of symbolic expression/abstraction by borrowing the traditional idiom “Tangkuluak (Tekuluk),” a kind of Bundo Kanduang’s formal outfit in the form of headgear as the traditional symbol Minangkabau custom.The creation of this symbolic expression painting aims at the preservation effort of Minangkabau aesthetics through the materialization of paintings that takes the specific theme, Bundo Kanduang as the ideal woman of Minangkabau people.This study used qualitative method presented in the form of descriptive analysis. The techniques of data collection conducted were interview and observation that had emic characteristic performed in the Centre of Minangkabau Cultural Information (in Indonesia, it’s called as PDIKM) in Padangpanjang and Adityawarman Museum in Padang, West Sumatra. While etic research was conducted with qualitative method namely studying the theoretical claim and interpreting the meaning of proverbs about the nobility of Bundo Kanduang.
MINANGKABAU妇女性格教育的概念是象征性绘画的创作
本研究以米南卡堡人的哲学为背景,探讨理想女性的概念。理想女性的标准可以在谚语中找到,谚语中蕴含着与伦理价值相关的隐含意义,即女性的理想道德观。这种解释可以从它作为对米南卡堡年轻一代进行道德和品格教育的概念的功能和目的来理解。从米南卡堡理想女性的概念出发对米南卡堡女性性格教育的阐释,成为美术创作理念的基础,产生了个性化表达的符号。这幅作品借用了传统习语“Tangkuluak (Tekuluk)”,被物化为象征表达/抽象的绘画。“Tangkuluak (Tekuluk)”是邦多坎都人的一种正式服装,以头饰的形式作为米南卡保传统的象征。这幅象征性表达画的创作目的是通过以特定主题为主题的画作的物化来保存米南卡保人的美学,邦多·坎唐是米南卡保人的理想女性。本研究采用定性方法,以描述性分析的形式呈现。数据收集的方法是在巴东班让的米南卡保文化信息中心(在印度尼西亚,称为PDIKM)和西苏门答腊巴东的Adityawarman博物馆进行的具有主题特征的访谈和观察。而客学研究则采用定性的方法,即研究本都坎都贵族谚语的理论主张和意义解读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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