representation of Zen Buddism in Ikebana flower arrangement of Ikenobou School

Baiq Nisrina Tri Anbarwati, I. Prihandari, Efrizal Efrizal
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Abstract

This study aims to describe the philosophy emerges from Ikebana (the Japanese flower arrangement) of Ikenobou school/stream and the representation of beauty concept according to Zen Buddhism in Ikenobou’s ikebana. The research data was contained of seven (7) characteristics of Zen Buddhism according to Hisamatsu Shin’ichi namely: fukinsei, kanso, shizen, kokou, yuugen, datsuzoku, and seijaku within five (5) Ikebana flower arrangements from Ikenobou school namely: rikka, shoka, moribana, nageire, and jiyuka. As the result showed: 1) the prominent characteristic was Seijaku which found in the four Ikebana styles in twenty-one pieces, meanwhile the least characteristics were Fukinsei and Kanso found in two pieces of flower arrangements whereas the Kokou characteristic was absent in all flower arrangements; 2) the representation of beauty philosophy found in the flower arrangement of Ikenobou school/stream through its Ikebana styles were: (a). The 自由化 (Jiyuka) style represented characteristic of: 不均斉 (fukinsei) or asymmetrical, 自然 (shizen) or naturalness, and 脱俗 (datsuzoku) or free from bonds/ties. (b). The 昇華正風一種いけ (Shoka Shofutai Isshuike) style represented the characteristics of 簡素 (kanso) or simplicity. (c). The 立花 (rikka) style represented the characteristic of 幽玄 (yuugen) or deep meaning and (d). 昇華新風 (shoka shinputai) represented the characteristic of 静寂 (sijaku) or stillness/silence.
池野派插花中禅宗的表现
本研究旨在描述池野派/流派从插花(日本插花)中产生的哲学,以及池野派插花中禅宗对美的概念的表现。研究数据包含了禅宗根据久松新一的七(7)个特征,即:fukinsei, kanso, shizen, kokou, yugen, datsuzoku和seijaku在五(5)个ikekenobou学派的插花,即:rikka, shoka, moribana, nageire和jiyuka。结果表明:1)21件插花中4种插花风格的“精雕细琢”特征最为突出,2件插花风格的“福生”和“Kanso”特征最少,而所有插花都没有“Kokou”特征;2)池野派在插花风格中对美的哲学表现为:(a)池花风格表现为:不对称(fukinsei)、自然(shizen)或自然(datsuzoku)或无束缚(纽带)。(b)风格代表了“简练”或“简洁”的特点。(c).“理”风格代表了“理”或“深”的特征,(d).“气”风格代表了“静”或“静”的特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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