Lascivus Puer

M. Myers
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Abstract

This paper explores Ovid’s reception of hymnic traditions relating to Hermes in the Cupid–Apollo episode of Metamorphoses Book 1. Ovid’s depiction of Cupid alludes to Hermes in his quarrel with Apollo, as depicted in Alcaeus’ Hymn to Hermes and the Homeric Hymn to Hermes. Ovid’s allusions evoke the hymns’ thematic focus on theft, desire, competition, and divine prerogatives and attributes, themes that are also salient to the Metamorphoses more broadly. After exploring parallels between the Cupid–Apollo episode and the Hermes hymn tradition, I consider how Ovid, having presented a “Mercurial” Cupid, depicts an erotically motivated Mercury in subsequent episodes of Metamorphoses Books 1–2 and Fasti 5.663–92. Finally, the paper compares examples from ancient religion, art, and literature that link Eros/Cupid and Aphrodite/Venus with Hermes/Mercury, and considers ramifications of Ovid’s allusions to the Hermes hymn tradition in the Augustan context, particularly in relation to the princeps’ connections to the divine sphere.
本文探讨了奥维德在《变形记》第一卷的丘比特-阿波罗情节中对赫尔墨斯的诗歌传统的接受。奥维德对丘比特的描绘暗指赫尔墨斯与阿波罗的争吵,正如阿尔凯厄斯的《赫尔墨斯赞美诗》和荷马的《赫尔墨斯赞美诗》中所描述的那样。奥维德的典故唤起了赞美诗的主题关注偷窃,欲望,竞争,以及神圣的特权和属性,这些主题在《变形记》中也很突出。在探索丘比特-阿波罗情节与赫尔墨斯赞美诗传统之间的相似之处之后,我考虑了奥维德是如何在《变形记》第1-2卷和《法斯蒂》第5.663-92章的后续情节中,呈现出一个“水星”丘比特,并描绘了一个性欲强烈的水星。最后,本文比较了古代宗教、艺术和文学中将厄洛斯/丘比特、阿芙罗狄蒂/维纳斯与赫尔墨斯/水星联系起来的例子,并考虑了奥维德在奥古斯都背景下对赫尔墨斯赞美诗传统的典籍,特别是与首领与神圣领域的联系有关的后果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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