HAIR MOTIF GRAVESTONES IN SOUTH WEST TAURUS: THE CASE OF MUĞLA AND DENİZLİ

Onur Alp Kayabaşi
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Abstract

Culture is the source of people's creativity. Mankind has inherited the history and traditions of previous generations. Accordingly, he created new creations by synthesizing the old and the new. Although these creations, which are formed at each point of the Turkish cultural geography, differ, they basically meet at the same point. Thus, it brings together people from the same cultural circle on a common ground. These creations can be in any area of life. However, this situation manifests itself more clearly in beliefs about death and afterlife. With the phenomenon of death, which can be thought of as a transition from the living to the world beyond, man begins to see and define the dead and his soul as a supernatural being. Onwards the actualization of death a body being down and the process of disembodiment of the spirit believed to live in that body has led to emergence of complex belief systems, thereby the emergence of different rituals to separate the soul from the body and this world. There are some practices be seen among the Turks performed before, during and after death. The flow of cultural information between people can be expected to take different forms. One of the element of cultural information flow is graves. Graves are used not only to bury the dead, but also as a means of self-expression. In this way, people can express their identity and personality to the environment. However, tombs are also a form of expression embodying the relationship between this world and the next world. Graves and tombstones transforms the toughts exist in an abstract way into a concrete form with the help of their construction properties and the various symbols on them. In this way, the existence of the deceased is revealed again, so that the soul can easily get used to the new situation with the metaphor of recreating his life. In this way, in a way, the harmony between life and death is tried to be expressed. Symbols, shapes, depictions, etc. made on tombstones, which have been symbolic codes since ancient times. provides him with holiness and at the same time, he provides immunity thanks to this holiness. Thus, human beings, who are in pain of death in the face of a loss or annihilation, add value to the eternity of life that exists after life, with these practices aimed at immortality, not death. Gravestones are not only a past for Turks, but also important in terms of carrying the spirit of that past. Beliefs and practices related to hair in Turkish culture are seen in all Turkish geographies from Siberia to Anatolia, from the earliest times to the present. In such a wide time and geography, the cultural continuity of the hair is remarkable in terms of showing its importance in Turkish culture. In this article, beliefs about hair in Turkish geography are discussed in general. In particular, evaluations were made about the hair motifs seen on some tombstones in Muğla and Denizli provinces and their place in Turkish culture.
金牛座西南部的头发图案墓碑:muĞla和denİzlİ的案例
文化是人的创造力的源泉。人类继承了前人的历史和传统。因此,他将新旧结合,创造出新的作品。这些创作形成于土耳其文化地理的各个点,虽然各不相同,但它们基本上在同一点相遇。因此,它将来自同一文化圈的人们聚集在一起。这些创造可以出现在生活的任何领域。然而,这种情况在关于死亡和来世的信仰中表现得更为明显。死亡可以被认为是从生者到来世的过渡,随着死亡现象的出现,人们开始把死者和他的灵魂看作是一种超自然的存在。之后,死亡的实现,身体的倒下,以及相信生活在身体里的灵魂的分离过程,导致了复杂信仰体系的出现,从而出现了不同的仪式,将灵魂与身体和这个世界分开。土耳其人在死前、死中和死后都有一些习俗。人们之间的文化信息流动可以采取不同的形式。文化信息流的要素之一是坟墓。坟墓不仅用来埋葬死者,也是一种自我表达的手段。通过这种方式,人们可以向环境表达自己的身份和个性。然而,坟墓也是一种体现现世与来世关系的表现形式。坟墓和墓碑借助其建筑属性和各种符号,将以抽象方式存在的物体转化为具体形式。这样,逝者的存在再次被揭示出来,让灵魂很容易适应新的情况,以重新创造自己的生活作为隐喻。通过这种方式,在某种程度上,试图表达生与死之间的和谐。墓碑上的符号、形状、描绘等,自古以来就是象征性的密码。给他圣洁的同时,他也给他豁免权,多亏了这圣洁。因此,面对失去或灭绝而处于死亡痛苦中的人类,通过这些旨在不朽而不是死亡的做法,为死后存在的生命的永恒增加了价值。墓碑不仅是土耳其人的过去,而且在承载过去的精神方面也很重要。从最早的时代到现在,从西伯利亚到安纳托利亚的所有土耳其地区都可以看到与土耳其文化中头发有关的信仰和习俗。在如此广泛的时间和地理范围内,头发的文化延续性在显示其在土耳其文化中的重要性方面是显着的。在这篇文章中,对土耳其地理学中关于头发的信仰进行了一般性的讨论。特别是对Muğla和代尼兹利省的一些墓碑上的头发图案及其在土耳其文化中的地位进行了评价。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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