Interactionist Theories of Emotion

E. McCarthy
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Abstract

Classical and contemporary developments in the study of culture are examined for ways to conceptualize emotion(s) and to frame their study. The foundation of this approach is found in early social pragmatism and interactionism, both of which view the structuring of mind, self, and emotion as sociocultural processes. The same principles are found in contemporary arguments about emotions and subjectivity made by ‟constructionist” works in psychology and social science as well as in culture theory today. These approaches have given greater emphasis to the study of everyday beliefs of social actors, arguing that the entire domain of subjectivity is not (as commonly understood) devoid of social and cultural influence. Rather, subjectivity itself is “socially constructed.” In this way and in others, pragmatist social psychology and contemporary culture theory have both enlarged and changed the idea of subjectivity from something isolated and unique and purely individual to something shared and observable. Subjectivity’s continual formation and development take place in society in interaction with others. Accordingly, emotions and the ways they are experienced exist within socially and historically variable cultures, implying that people’s ideas about what emotions are and what they mean vary across cultures as well as within cultures.
情感互动理论
在文化研究的古典和当代发展检查的方式概念化情感(s)和框架他们的研究。这种方法的基础可以在早期的社会实用主义和互动主义中找到,两者都将思想、自我和情感的结构视为社会文化过程。同样的原则在心理学和社会科学中的“建构主义”作品以及今天的文化理论中关于情感和主体性的当代争论中也可以找到。这些方法更加强调对社会行为者日常信仰的研究,认为主体性的整个领域并非(如通常所理解的)没有社会和文化影响。相反,主体性本身是“社会建构的”。实用主义社会心理学和当代文化理论通过这种方式和其他方式,扩大和改变了主体性的概念,从孤立的、独特的、纯粹个人的东西变成了共享的、可观察的东西。主体性是在社会中与他人的互动中不断形成和发展的。相应地,情感及其体验方式存在于不同的社会和历史文化中,这意味着人们对情感是什么及其含义的看法在不同的文化中以及在不同的文化中都是不同的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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