On multimodality in the perception of emotions from materials of the HuComTech corpus

L. Hunyadi
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引用次数: 5

Abstract

Emotions are important constituents of human behavior. The production and perception of cues of emotions is a complex task involving both verbal and nonverbal aspects of behavior. This complexity is further enhanced by the fact that emotions are subject to interpretation; a resulting emotion cannot be compositionally derived from its constituent building blocks. Even though we commonly associate an emotion with a given modality (most often with visuality), it will be argued that emotions are essentially multimodal. Multimodality in turn involves both the temporal alignment and sequential organization of cues across a number of modalities with virtually no primary modality of expression. These assumptions will be tested and elaborated using the extensively annotated multimodal HuComTech corpus by considering the frequency, alignment and sequence of the annotations of the basic emotions across three perception conditions: video only, audio only and video+audio.
从HuComTech语料库材料看情感感知的多模态
情绪是人类行为的重要组成部分。情绪线索的产生和感知是一项复杂的任务,涉及行为的言语和非言语方面。这种复杂性因为情绪是可以解释的这一事实而进一步增强;产生的情感不能从其组成的构建块中合成地衍生出来。尽管我们通常将情感与给定的模态(最常见的是视觉)联系在一起,但也有人认为情感本质上是多模态的。而多模态又涉及到线索的时间排列和顺序组织,这些线索跨越许多模态,实际上没有主要的表达模态。这些假设将使用广泛注释的多模态HuComTech语料库进行测试和阐述,通过考虑三种感知条件下基本情绪注释的频率、对齐和顺序:仅视频、仅音频和视频+音频。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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