Ghosts Without Unfinished Business

Abigail Egger
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Abstract

Historians have long written about the relationship between the living and the dead and the role ghosts play in maintaining this relationship. However, only recently have scholars turned to the ways death in the digital age has disurpted our traditional mourning rituals."Ghosts Without Unfinished Business: Recorded Media and the Liminal in Para-Social Mourning" explores the ways recording technology have shaped Western society's relationship with the dead from the development of the camera to the recent animation capabilities of CGI and "deep fake" technology. In particular, recordings construct a liminal space between life and death by altering our perceptions of the body, ghosts, and time, particularly when the relationship between the living and dead was para-social. This new mourning, theorized as para-social mourning, disrupts traditional understandings of ghosts as recordings are unchanging and frozen in time, thus disallowing the relationship between the living and dead to change. This paper concludes with a parallel drawn between the anxities between the development of the camera and the current anxities regarding CGI.
没有未竟事业的幽灵
历史学家早就写过生者与死者之间的关系,以及鬼魂在维持这种关系中所扮演的角色。然而,直到最近,学者们才开始关注数字时代的死亡如何扰乱了我们传统的哀悼仪式。“未完事业的幽灵:记录媒体和准社会哀悼中的界限”探讨了记录技术如何塑造西方社会与死者的关系,从相机的发展到最近的CGI动画能力和“深度假”技术。特别是,录音通过改变我们对身体、鬼魂和时间的感知,在生与死之间构建了一个有限的空间,尤其是当生者与死者之间的关系是准社会的时候。这种新的哀悼,被理论化为准社会哀悼,打破了对鬼魂的传统理解,因为记录是不变的,并在时间中冻结,因此不允许生者和死者之间的关系改变。最后,本文将摄像机发展的焦虑与当前CGI的焦虑进行了比较。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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