Javanese Women's Gender Reconstruction in Bumi Manusia Film

Anggun Mayanti, Cosmas Gatot Haryono
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Abstract

The film cannot be viewed solely as a form of entertainment. However, the media plays the role of social reality construction. The film Bumi Manusia, which uniquely depicts the female gender, is full of social construction roles. The female character in the film, Nyai Ontosoroh, is described as having different characteristics and abilities than Javanese women in the nineteenth century. As a result, researchers want to examine the film to see how the reconstruction of women's gender occurs in it. The researcher used a qualitative method based on Ferdinand de Saussure's semiotic approach. According to the research findings, this film aims to rebuild women's gender roles and positions that are equal to those of men. Women are figures with equal strength and ideas to men, particularly in leadership, which has traditionally been dominated by men. Nyai Ontosoroh, as a female gender representative, is portrayed as a new reality with strong characters: resilient, not easily defeated, knowledgeable, and capable of leadership. It is hoped that this reconstruction of Nyai Ontosoroh's figure will help to dispel the old stereotype of women as weak, capable of only makeup (macak), cooking (masak), and (giving birth) manak.
布米手稿电影中爪哇女性的性别重建
这部电影不能仅仅被视为一种娱乐形式。然而,媒体扮演着社会现实建构的角色。电影《布米手稿》以其独特的女性形象,充满了社会建构的角色。电影中的女性角色Nyai Ontosoroh被描述为具有与19世纪爪哇女性不同的特征和能力。因此,研究人员想要检查这部电影,看看女性性别的重建是如何发生的。研究者采用了基于索绪尔符号学方法的定性方法。根据研究结果,这部电影旨在重建女性的性别角色和地位,使其与男性平等。女性是与男性拥有同等力量和想法的人物,尤其是在传统上由男性主导的领导领域。Nyai Ontosoroh作为女性代表,被描绘成一个具有坚强性格的新现实:坚韧,不容易被打败,知识渊博,有领导能力。人们希望通过对Nyai Ontosoroh形象的重建,有助于消除人们对女性的刻板印象,即女性是弱者,只会化妆(macak)、做饭(masak)和生孩子(manak)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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