Structural Mythologies to Establish Post-coloniality: The Cases of Indonesian and Caribbean Literatures

G. Aji
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Abstract

. The nature of literature covers two prominent entities: performance in words and significance. In Levi-Strauss’ concept about the phenomena, those are to establish literature structurally, in which, applying Horatian terms, the entity of performance is about the aspect of being dulce and the entity of significance is about the aspect of utile. However, in the context of modern discourse, performance, or dulce, would refer to its utility on the existence of “myth” and significance, or utile, refers to literature’s ideology. In the cases of Indonesian and Caribbean literatures, this paper will discuss those entities, especially dealing with the ideology of post-coloniality while its myth as the tool of delivering the story. Derek Walcott’s Omeros will represent the Caribbean post-coloniality, and some Indonesian present short stories, published in media, represent the Indonesian literature. The main objective of this talk is to prove that both Indonesian and Caribbean literatures remain to hold the structurally traditional concepts of literature despite its ideology of post-coloniality.
建构后殖民主义的结构神话:以印尼与加勒比海文学为例
。文学的本质包括两个突出的实体:文字表现和意义。在列维-施特劳斯关于现象的概念中,那就是在结构上建立文学,用贺拉斯的话来说,表演的实体是关于存在的方面,意义的实体是关于效用的方面。然而,在现代话语语境中,表演或功利性,指的是其对“神话”存在的效用和意义,或功利性,指的是文学的意识形态。在印度尼西亚和加勒比文学的情况下,本文将讨论这些实体,特别是处理后殖民的意识形态,而它的神话作为传递故事的工具。Derek Walcott的《Omeros》将代表加勒比海后殖民时期,而一些印尼现今的短篇小说,发表在媒体上,代表印尼文学。这次演讲的主要目的是证明印度尼西亚和加勒比文学仍然持有文学的结构传统概念,尽管其后殖民意识形态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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