Framing Objects of International Law

W. Werner
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引用次数: 2

Abstract

This chapter explores the different roles that material objects play in international law. It utilizes the ambiguity in the phrase ‘objects of international law’. First, this means that the objects concerned are somehow produced by international law; that they exist by virtue of the practices, scripts, and traditions in international law. The chapter develops this idea in section one, building on theories of attributes or properties (props) in theatre. Just like props in theatre, objects in law fulfil different functions, including the construction of subjectivity, setting in motion a chain of action, and symbolizing larger social–political topics. Second, the phrase ‘objects of international law’ refers to the signalling function of the objects concerned; they tell something about international law and its histories. This point is elaborated on in section two, based on museum and exhibition theories.
国际法的构成对象
本章探讨了实物在国际法中所扮演的不同角色。它利用了“国际法对象”一词的模糊性。首先,这意味着有关对象在某种程度上是由国际法产生的;它们的存在是基于国际法的惯例、规则和传统。本章在第一节中发展了这一观点,建立在戏剧属性或属性(道具)的理论基础上。就像戏剧中的道具一样,法律中的客体履行着不同的功能,包括建构主体性、启动行动链、象征更大的社会政治话题。其次,“国际法对象”一词指的是有关对象的信号功能;它们讲述了国际法及其历史。第二部分将基于博物馆和展览理论对这一点进行阐述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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