SCRIBBLING WITH MALE EGO: ANALYSING THE MALE GAZE IN THE PORTRAYAL OF WOMEN IN CARTOONS

Dr. Basil Thomas, Dr. Gem Cherian
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Abstract

Male cartoonists dominated the cartoon industry of Keralam in the second half of the twentieth century. Women stereotypes are highlighted in the discourse of cartoons, probably like any other artform in the world. This paper is an attempt to analyse the representation of women folk in the cartoons of Keralam, during the post independent period of India. The cartoons of veteran male cartoonists namely Cartoonist Toms, Cartoonist Yesudasan and Cartoonist Thomas have been analysed for the study. The misrepresentation of women characters in their cartoons are analysed. The ‘domineering wife’ stereotype in the cartoons portraying the domestic setting and the household is not the fair representation of women of the time, given the patriarchal tradition. Women’s empowerment is shown mainly as their physical empowerment in the cartoon series. The male gaze in the commodification of female body in the cartoons is analysed. The male ego in the nurturing of ideal woman characters by the male cartoonists is problematized in the paper. The images used in this paper are collected from archives and the sources of images, as it is mentioned in the bibliography, are old collections of magazines, which are fifty years or more old. These cartoons are retrieved from the archives compiled at Appan Thampuran Smaraka Library in Thrissur, Kerala.
涂写男性自我:分析漫画中女性形象中的男性凝视
二十世纪下半叶,男性漫画家主导了喀拉拉邦的漫画产业。就像世界上任何其他艺术形式一样,女性的刻板印象在漫画的话语中得到了强调。本文试图分析印度独立后喀拉拉邦漫画中女性民间形象的表现。本文以资深男性漫画家汤姆斯、耶苏达山和汤姆斯为研究对象。分析了他们漫画中对女性角色的歪曲。考虑到父权传统,卡通中描绘家庭环境和家庭的“霸道妻子”刻板印象并不是当时女性的公平代表。在漫画系列中,女性赋权主要表现为身体赋权。分析了漫画中女性身体商品化中的男性凝视。本文对男性漫画家在塑造理想女性角色过程中存在的男性自我意识问题进行了探讨。本文所使用的图片都是从档案中收集的,参考书目中提到的图片来源是50年以上的旧杂志收藏。这些漫画是从喀拉拉邦Thrissur的Appan Thampuran Smaraka图书馆的档案中检索出来的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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