{"title":"MODAL KULTURAL KAKANTARAN TOMBULU : SAKO MELENG ULALAN LAMPANGAN","authors":"Christo Pua, Anatje Palit, Rafael Terok","doi":"10.35796/kaling.8.1.2020.29102","DOIUrl":null,"url":null,"abstract":"The contents of the traditional cultural include social resources and cultural capital. This writing is only limited to cultural capital. Cultural capital is a traditional capital, cultural value and norm also local wisdom used to empowered human life in order to make a peaceful and prosperous society. The paradigm of this research is in the form of qualitative research because in this study the form and meaning of the text of a song was explored, found, disclosed, and explained. The form is related to the structure of the text morphologically, whereas the meaning is related to the content that is understood as a value, norm, or local wisdom. Thus, the purpose of this paper is to describe 1) the morphological form of Kakantara Tombulu sa ko meleng ulalan lampangan, and 2) the contents or meanings related to values, norms, local wisdom in the song. Data collection is done by observation and interviews. The observers are the perpetrators of this oral tradition especially when they sing this song together (the atmosphere of joy displayed), and the listeners or connoisseurs of this tradition (passive audience). Interviews were carried out to informants who played an active role or as perpetrators of oral traditions. These observations and interviews were carried out in the city of Tomohon, precisely in the Kakaskasen area, which according to the writer’s observation they sing the songs in Tombulu language actively. The result of the study shows that the song of Sa ko meleng lampangan was the thanksgiving song of the ethnic Tombulu who had 1) the structure of the language morphologically morphophemis and has polymorphic morpheme. Thus, this morphological process (affixation and reduplication) forms a new meaning or reinforces the meaning as mentioned by the basic word; 2) Cultural capital can be seen in the form of cultural values and norms which are reflected through the values of faith, brotherhood, friendship, and sincerity implemented by the practitioners or connoisseurs of oral tradition which is bound by certain norms and has become the source of peace and prosperity as the core of local wisdom of the people of Tombulu.Keywords: cultural capital: values, norms, local wisdom","PeriodicalId":229186,"journal":{"name":"Kajian Linguistik","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kajian Linguistik","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35796/kaling.8.1.2020.29102","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The contents of the traditional cultural include social resources and cultural capital. This writing is only limited to cultural capital. Cultural capital is a traditional capital, cultural value and norm also local wisdom used to empowered human life in order to make a peaceful and prosperous society. The paradigm of this research is in the form of qualitative research because in this study the form and meaning of the text of a song was explored, found, disclosed, and explained. The form is related to the structure of the text morphologically, whereas the meaning is related to the content that is understood as a value, norm, or local wisdom. Thus, the purpose of this paper is to describe 1) the morphological form of Kakantara Tombulu sa ko meleng ulalan lampangan, and 2) the contents or meanings related to values, norms, local wisdom in the song. Data collection is done by observation and interviews. The observers are the perpetrators of this oral tradition especially when they sing this song together (the atmosphere of joy displayed), and the listeners or connoisseurs of this tradition (passive audience). Interviews were carried out to informants who played an active role or as perpetrators of oral traditions. These observations and interviews were carried out in the city of Tomohon, precisely in the Kakaskasen area, which according to the writer’s observation they sing the songs in Tombulu language actively. The result of the study shows that the song of Sa ko meleng lampangan was the thanksgiving song of the ethnic Tombulu who had 1) the structure of the language morphologically morphophemis and has polymorphic morpheme. Thus, this morphological process (affixation and reduplication) forms a new meaning or reinforces the meaning as mentioned by the basic word; 2) Cultural capital can be seen in the form of cultural values and norms which are reflected through the values of faith, brotherhood, friendship, and sincerity implemented by the practitioners or connoisseurs of oral tradition which is bound by certain norms and has become the source of peace and prosperity as the core of local wisdom of the people of Tombulu.Keywords: cultural capital: values, norms, local wisdom
传统文化的内容包括社会资源和文化资本。这种写作只局限于文化资本。文化资本是一种传统资本、文化价值和规范,也是地方智慧,用来赋予人类生活权力,以实现社会的和平与繁荣。本研究的范式采用定性研究的形式,因为本研究对歌曲文本的形式和意义进行了探索、发现、揭示和解释。形式与文本的形态结构有关,而意义则与被理解为价值、规范或地方智慧的内容有关。因此,本文的目的是描述1)Kakantara Tombulu sa ko meleng ulalan lampangan的词形形式,以及2)歌曲中与价值观,规范,地方智慧相关的内容或含义。数据收集是通过观察和访谈来完成的。观察者是这种口头传统的实施者,特别是当他们一起唱这首歌时(表现出喜悦的气氛),而听众或这种传统的鉴赏家(被动的观众)。对发挥积极作用或作为口头传统的肇事者的举报人进行了采访。这些观察和采访是在托莫洪市进行的,确切地说,是在卡卡斯卡森地区,根据作者的观察,他们积极地用托莫洪语唱歌。研究结果表明,《萨可梅楞兰潘干歌》是通布鲁族的感恩歌,具有1)语言词形结构和多态语素;因此,这种形态过程(词缀和重复)形成了一个新的意思或加强了原词所提到的意思;2)文化资本表现为文化价值和文化规范,体现为口头传统的实践者或行家所奉行的信仰、兄弟情谊、友谊和真诚等价值观,这些价值观受到一定规范的约束,成为汤布卢人当地智慧的核心,成为和平与繁荣的源泉。关键词:文化资本;价值观;规范