Folkways in Wonderland: A Cyberworld Laboratory for Ethnomusicology

Rasika Ranaweera, Michael Frishkopf, Michael Cohen
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引用次数: 1

Abstract

In this paper we describe a musical cyber world -- a collaborative, immersive virtual environment for browsing musical databases -- together with an experimental design launching a new sub discipline: the ethnomusicology of controlled musical cyberspaces. Research in ethnomusicology, the ethnographic study of music in its socio-cultural environment, has typically been conducted through qualitative fieldwork in uncontrolled, real-world settings. Recently, ethnomusicologists have begun to attend to the study of virtual environments, including pre-existing cyber worlds (such as video games). However, in this paper, we adopt an unprecedented approach by designing a custom musical cyber world to serve as a virtual laboratory for the ethnographic study of music. By constructing an immersive cyber world suitable for ethno musicological fieldwork, we aim for much greater control than has heretofore been possible in ethno musicological research, leading to results that may suggest better ways of designing musical cyber worlds for research, discovery, learning, entertainment, and e-commerce, as well as contributing towards our general understanding of the role of music in human interaction and community-formation. Such controlled research can usefully supplement traditional ethnography in the real world.
仙境中的民俗:民族音乐学的网络世界实验室
在本文中,我们描述了一个音乐网络世界——一个用于浏览音乐数据库的协作式沉浸式虚拟环境——以及一个实验设计,该设计启动了一个新的子学科:受控音乐网络空间的民族音乐学。民族音乐学的研究,即在社会文化环境中对音乐进行的民族志研究,通常是在不受控制的现实世界环境中进行定性的实地调查。最近,民族音乐学家开始关注虚拟环境的研究,包括预先存在的网络世界(如电子游戏)。然而,在本文中,我们采用了一种前所未有的方法,设计了一个定制的音乐网络世界,作为音乐民族志研究的虚拟实验室。通过构建一个适合民族音乐学田野调查的沉浸式网络世界,我们的目标是比迄今为止在民族音乐学研究中可能实现的更大的控制,从而得出可能建议为研究、发现、学习、娱乐和电子商务设计音乐网络世界的更好方法的结果,以及有助于我们对音乐在人类互动和社区形成中的作用的一般理解。这种受控的研究可以有效地补充现实世界中传统的民族志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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