THE USE OF RELIGIOUS PLOTS AND IMAGES IN THE GERMAN EXILE NOVEL

Alice S. Porshneva
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Abstract

This paper deals with some specific features of religious plots and images in the German exile novel. The author analyses how they function in exiled novels by German exiled writers such as Erich Maria Remarque, Lion Feuchtwanger, Thomas Mann, Anna Seghers and Klaus Mann. These works are considered to have a particular organization of space and plot as well as subjective organization, and to belong to a specific literary genre. Religious images and plots are analysed in relation to the novels’ organization of space and time. David and Goliath, and Noah’s Ark are images taken from the Bible that can be found in the novels studied, and plots such as the history of Joseph and Exodus are harnessed by the authors. The story of the Israelite’s exile to Egypt serves Thomas Mann as a thematic source, while he expresses emigrant consciousness in “Joseph and His Brothers”. Other novels are devoted to the events of 1933 to 1945, and their authors add biblical plots and images to them to highlight axiological markers of the exile space and help the writers express their emigrant world view. It is also shown in this study that these images are used alongside and for similar purposes to mythological images.
德国流亡小说中宗教情节与意象的运用
本文论述了德国流亡小说中宗教情节和意象的一些具体特点。作者分析了他们在德国流亡作家埃里希·玛丽亚·雷马克、利昂·福伊希万格、托马斯·曼、安娜·西格斯、克劳斯·曼等流亡小说中的作用。这些作品被认为具有特定的空间和情节组织以及主观组织,属于特定的文学类型。分析了宗教意象和情节与小说时空组织的关系。大卫和歌利亚,诺亚方舟都是取自圣经的形象,可以在研究的小说中找到,约瑟和出埃及记的历史等情节是作者利用的。托马斯·曼以以色列人流亡埃及的故事为题材,在《约瑟和他的兄弟们》中表达了移民意识。其他小说则致力于1933年至1945年的事件,作者在其中加入了圣经情节和图像,以突出流亡空间的价值标记,并帮助作者表达他们的移民世界观。这项研究还表明,这些图像与神话图像一起使用,并用于类似的目的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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