Idealisme Seniman Berdampak pada Marginalisasi Kesenian Indang Tradisi

Indrayuda Indrayuda
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Abstract

This article aims to reveal and analyze the problem of the artistry of traditional art in Padang Pariaman district. Today the existence of Indang art less popular in the cultural life of the community Padang Pariaman. In turn, Indang art is rarely used and functioned by Padang Pariaman society today. The research was done by explanation method, and the research data is qualitative. Data collected throughout the interview process, observation of socio-cultural symptoms of society, and the existence of Indang. The analysis was done by ethnography approach, by determining component analysis and determining the cultural theme. The result of the research obtained is that the structure and shape of Indang have not changed until now. Indang art form and structure is less suitable to the taste of today’s society so that Indang art is less popular to the public for entertainment activities. The activities of artists on stage often disturb the artistic and aesthetic performances, i.e. the artists often create any activities that spoil the atmosphere of the show.Keywords: Indang tradisi; form and structure; ethnographic approach; explanation method
艺术家的理想主义影响了传统艺术的边缘化
本文旨在揭示和分析巴东Pariaman地区传统艺术艺术性存在的问题。今天存在的Indang艺术在巴东巴黎曼社区的文化生活中不太流行。反过来,Indang艺术也很少被今天的Padang Pariaman社会使用和发挥作用。本研究采用解释法,研究数据为定性分析。在整个访谈过程中收集的数据,观察社会的社会文化症状,以及Indang的存在。分析采用民族志方法,通过确定成分分析和确定文化主题。研究得出的结果是,迄今为止,印当的结构和形状并没有发生变化。林当艺术的形式和结构不太适合当今社会的口味,使林当艺术不太受公众欢迎的娱乐活动。艺术家在舞台上的活动经常干扰艺术和审美表演,即艺术家经常创造任何破坏表演气氛的活动。关键词:Indang tradisi;形式与结构;民族志方法;解释方法
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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